 |
|
|
| |
|
|
|
1970
|
B.F.A., University of Texas, Austin, Texas
|
|
1976
|
M.F.A., San Francisco Art Institute, San Francisco, California
|
|
1999
|
Cultural Arts council of Houston, Individual Artist Grant - General Fellowship Award
|
|
1994
|
Art Matters, inc., New York, NY
|
|
1991
|
Artist-in-Residence, Lightwork, Syracuse, NY
|
|
2001
|
Lecturer, Rice University, Dept. of Continuing Studies
|
|
1994
|
Visiting Artist, University of Texas, San Antonio, TX
|
|
1991-92
|
Visiting Professor, Photography, University of North Texas, Denton, TX
|
|
1988-91
|
Lecturer, Photography and Media, St. Edwards University, Austin, TX
|
|
1979-83
|
Lecturer and founder of Photography Program, Glassell School of Art, Museum of Fine
Arts,
Houston, TX
|
|
1974-76
|
Teaching assistant, San Francisco Art Institute, San Francisco, CA
|
|
1972-73
|
Lecturer; Photography, Hight School for the Performing and Visual Arts, Houston, Texas
|
|
2005
|
Casey Williams: Winter Light, Holly Johnson Gallery, Dallas, TX
Inaugural Exhibition, Holly Johnson Gallery, Dallas, TX
|
|
2003
|
Out of Context, Williams Tower Gallery, Houston, TX
|
|
2002
|
Casey Williams, AVATAR, Barbara Davis Gallery, Houston, Texas
|
|
|
Fotofest 2002 New Technologies, Vine Street Studios, Houston, Texas
|
|
|
Industrial Ingenuity, Art Museum of Southeast Texas, Beaumont, Texas
|
|
2001
|
Mary McDonnell, Casey Williams, William Wood, Barbara Davis Gallery, Houston, Texas
|
|
2000
|
Texas Dialogues: Scenic Overlook, Blue Star Art Space, San Antonio, Texas
|
|
Casey Williams/ Robert Ziebell, Photographs Do Not Bend Gallery, Dallas, Texas
|
|
1999
|
5 ARTISTS NEW WORK, Diverseworks, Houston, Texas
|
|
New Work by Gallery Artists, Barbara Davis Gallery, Houston, Texas
|
|
1998
|
Altered Landscapes, Artscan Gallery of Contemporary Art, Houston, Texas
|
|
Casey Williams; Situational Abstraction, Galveston Arts Center, Texas
|
|
Oil Patch Dreams; Images of the Petroleum industry in American Art, Art Museum of
Southeast Texas, Beaumont, Texas
|
|
New Orleans Triennial, New Orleans Museum of Art, New Orleans, Louisiana
|
|
Casey Williams: New Photographs/Fotofest Houston, Barbara Davis Gallery, Houston,
Texas
|
|
1997
|
Recent Work, Barbara Davis Gallery, Houston, Texas
|
|
1996
|
Casey Williams/Fotofest, Barbara Davis Gallery, Houston, Texas
|
|
Intimate, Barbara Davis Gallery/Pennzoil Place, Houston, Texas
|
|
1995
|
Casey Williams, Res Nova Gallery, New York City
|
|
1994
|
Paradoxical Scale, Glassell School of Art, Museum of Fine Arts, Houston, Texas
|
|
1993
|
Texas Between Two Worlds,
|
|
Contemporary Arts Museum, Houston, Texas (traveling exhibit with catalog)
|
|
Casey Williams: New Work, Adair Margo Gallery, El Paso, TX
|
|
1992
|
Smith/Staartjes/Williams, Film in the Cities Gallery, St. Paul, MN
|
|
Island Inspired, Galveston Arts Center, Galveston, Texas (accompanied by a catalog)
|
|
1990
|
Casey Williams: Recent Work, Laguna Gloria Art Museum, Austin, Texas
|
|
Reinventing Reality: Five Texas Photographers, Blaffer Gallery, University of Houston,
Texas
|
|
1989
|
The New American Landscape, Selections from the Museum of Fine Arts Collection, Glassell
School of Art, Houston, Texas
|
|
|
Casey Williams, MSC Forsyth Center Galleries,Texas A&M University, College Station,
Texas
|
|
Group Exhibition, Res Nova Gallery, New Orleans, LA
|
|
1988
|
First Texas Triennial, (catalog) Contemporary Arts Museum, Houston,
Texas
|
|
Casey Williams, Texas Gallery, Houston, TX
|
|
Anne&Patrick Poirier/Casey Williams, Res Nova Gallery, New Orleans, LA
Performance:Jimmy Jalapeno Acoustic Ensemble, Center of the Study of Contemporary Art,
University of Texas, Arlington, TX
|
|
1987
|
Texas Group Show James Corcoran Gallery, Los Angeles, California
|
|
|
Ten Texas Artists, Texas Gallery, Houston, TX
|
|
1986
|
The Texas Landscape, (with catalog) The Museum of Fine Arts, Houston, Texas
|
|
Texas Group Show, Texas Gallery, Houston, TX
|
|
Casey Williams, Carpenter/Hochman Gallery, Dallas, TX
|
|
1983
|
Big Pictures by Contemporary Photographers,
|
|
The Museum of Modern Art, New York
|
|
The New Orleans Triennial, New Orleans Museum of Art, New Orleans, Louisiana
|
|
1981
|
Texas Photo Sampler, The Washington Project for the Arts, Washington,D.C.
|
|
The New Photography, Contemporary Arts Museum, Houston, Texas
|
|
1980
|
Emerging Texas Photographers, Laguna Gloria Art Museum, Austin, Texas (traveling)
|
|
1977
|
Artist¹s Biennial, New Orleans Museum of Art, New Orleans, Louisiana
|
|
Southwest Annual, Fort Worth Art Museum, Fort Worth, Texas
|
|
1976
|
Four Photographers, Mills College Art Gallery, Oakland, California
|
|
West Coast Conceptual Photographers, The Arts Centre, LaMamelle, San Francisco,
California
|
|
|
|
Museum and Corporate Collections
|
|
|
Museum of Modern Art, New York
|
|
Museum of Fine Arts, Houston, Texas
|
|
Bibliotheque Nationale, Paris, France
|
|
Laguna Gloria Art Museum, Austin, Texas
|
|
Gernsheim Collection, Ransom Humanities Research Center,
|
|
University of Texas, Austin
|
|
Atlantic Richfield Company, Los Angeles, CA
|
|
Southwestern Bell Headquarters, Houston, TX
|
|
Amaco Production Company, houston, TX
|
|
Republic Bank, Houston, TX
|
|
Frito-Lay Collection, Plano, TX
|
|
Federal Reserve Bank, Dallas, TX
|
|
|
|
|
Bibliography
|
|
|
2001
|
Goddard, Dan R., “Artists Reinvent Landscape Art’”, San Antonio Express
News, Jan. 6
|
|
|
|
2000
|
Goldman, Saundra, “Escaping the Galleria”, The Ship Photos of Casey Williams,
The Texas
Observer, July 7, 2000
|
|
Bless, Nancy, Scenic overlook, Catalog Texas Dialogues: Scenic Overlook, Blue Star
Art
Space, San Antonio, TX
|
|
Gerst, David, “If I Ran the Whitney...”, Texas Art Insiders List Other Artists
They Would Have
Sent to New York, Canvas, Spring 2000
|
|
Greene, Alison de Lima, Texas, One Hundred and Fifty works from the Museum of Fine
Arts
Houston, Museum of fine Arts Houston, Harry N. Abrams, Inc.
|
|
1998
|
Waddington, Chris, “NOMA Triennial a Buffet to Please all Artistic Tastes”,
The New Orleans
Times Picayune, September 11, 1998
|
|
Kotik, Charlotta, “nothing endures...but art”, catalog, New Orleans Triennial,
August 23, 1998
|
|
Carraro, Francine, “Oil Patch Dreams:Images of the Petroleum Industry in American
Art”,
Catalog: The Art Museum of Southeast Texas, Beaumont, TX, September 12- December 20
1998
|
|
Kalil, Susie, “Getting the Picture”, Houston Press, November 5, 1998
|
|
1994
|
Ennis, Michael, “When Worlds Collide”, Texas Monthly, January 1994
|
|
KUHT-TV, “Six-minute story with five artists” interviews, produced by Jane
Hinders, January
18, 1994
|
|
1993
|
Bray, Jeff, “CAM Exhibit Explores Void between Two Worlds”, Houston Chronicle,
July 7, 1993
|
|
Chadwick, Susan, “Texas/Between Two Worlds Better Exhibit than Expected”,
Houston Post,
November 30, 1993
|
|
1992
|
Hirsch, Robert, Exploring Color Photography, Brown&Benchmark:(pp. 159 & 218)
|
|
Feld, Cecelia, “Casey Williams Alter Images”, Masterpieces, a publication
of the Dallas Museum
of Art.
|
|
1990
|
Chadwick, Susan, “Reinventing reality”, Blaffer Gallery, Houston Post, March
17, 1990
|
|
Oleson, JR., “Casey Williams Recent Works”, Laguna Gloria Art Museum, Austin
American
Statesman, October 6, 1990
|
|
Oleson, J. R., “City¹s Biggest Works of Art to go on Display”, Austin
American Statesman,
November 5, 1990
|
|
1989
|
Murphy, J., “Anne & Patrick Poirier/ Casey Williams’, New Orleans Art
Papers, Jan./Feb. 1989
|
|
1988
|
Johnson, Patricia, “Texas Triennial exhibition 1988”, Contemporary Arts
Museum, Houston,
Texas
|
|
Zeitlin, M., “The First Texas Triennial”, Contemporary Arts Museum, Houston,
TX
|
|
Freeland, C., “Art & Photography Again”, SPOT, 1988
|
|
1987
|
Tucker, A., “A Vision Bound by Diversity”, American Photographer, May 1987
|
|
McCombie, M., “Landscapes gentle dreams”, Artweek, March 21, 1987
|
|
1986
|
Gregor, K., “He is a Camera”, Third Coast Magazine, April 1986
|
|
|
McCombie, M., “The Texas Landscape”, Artscene, Fall 1996
|
|
1984
|
Edwards, J., “Singular Points of View”, Art Museum of South Texas, Corpus,Christi,
TX
|
|
1983
|
Cathcart, L., 1983 New Orleans Triennial, New Orleans, Museum of Art., LA
|
|
Larson, K., “Beyond Pure Photography”, New York Magazine, May 2, 1983
|
|
Johnson, P., “Developing Camera-radie”, Houston Chronicle, May 24, 1983
|
|
1982
|
Kalil, S., “Photography Rooted in Ambiguity”, Artweek, June 19, 1982
|
|
Alexander, C., “Ars Brevis”, Performing Arts Magazine, Houston, TX, June
1982
|
|
|
|
| |
|
|
| |
|
|
|
