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1943
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American. Born in Wichita, Kansas, Raised in Lubbock, Texas.
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1966
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BFA, Chouinard Art Institute, Los Angeles, CA
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1978-79
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Professor, California State University, Fresno, CA. Resigned position.
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1974-77
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Associate Professor, California State University, Fresno, CA
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1971-72
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Guest lecturer, California State University, Fresno, CA
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1971
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Guest artist at University of California, Berkeley
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1968-69
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Drawing classes at Chouinard Art Institute, Los Angeles, CA, and Pasadena Art Museum,
Pasadena, CA
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1966-67
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Third grade, 93rd Street School, Watts, CA (U.S. Poverty Program)
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1997
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Buddy Holly Walk of Fame Inductee, Lubbock, TX
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1996
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Dance Club Award, Best Club Interior, RED JACKET, Dallas, TX
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1992
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Wexner Center for the Arts, Artist Residency Fellowship, Columbus, OH
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1989
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Adaline Kent Award, San Francisco, CA
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1986
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Guggenheim Fellowship
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Bessie Award, New York, NY
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Isadora Duncan Award, San Francisco, CA
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1985
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National Endowment for the Arts Fellowship
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1978
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National Endowment for the Arts Fellowship
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1970
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National Endowment for the Arts Fellowship
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2001
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PrintsDrawingsWritings, Sheehan Gallery, Walla Walla, WA
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Study Drawings by Terry Allen, Gallery 68, Austin, TX
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2000
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Terry Allen: Belief (Study Works), Contemporary Arts Center, Cincinnati, OH
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Studies for "Countee Music," Moody Gallery, Houston, TX
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Works on Paper, Bannister Gallery, Rhode Island College Art Center, Providence, RI
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1999
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Terry Allen: IAH Airport Working Drawings, Moody Gallery, Houston, TX
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Voices in the Wilderness, Portsmouth Museum, Portsmouth, VA
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1998
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Publik Werks, Laumeier Sculpture Park, St. Louis, MO
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1997
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Terry Allen: Prints 1974-1997, Michael Solway Gallery, Cincinnati, OH
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Terry Allen: Prints, Barry Whistler Gallery, Dallas, TX
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1996
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Liquid Assets, L. A. Louver Gallery, Venice, CA
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Moody Gallery, Houston, TX
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1995
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Bronzes & Drawings, UMKC Gallery of Art, Kansas City, MO
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1994
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Poison Amor (Collaboration with James Drake), Blue Star Art Space, San Antonio, Texas;
Blaffer Gallery, University of Houston, Houston, Texas
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Voices in the Wilderness, Moody Gallery, Houston, Texas
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Bronzes, Schneider Art Museum, Ashland, Oregon
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1993
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Voices in the Wilderness, L. A. Louver Gallery, Venice, California
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1992
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Youth in Asia, Southeastern Center for Contemporary Art, Winston-Salem, N. C.;
traveling to: Modern Art Museum of Fort Worth, Fort Worth, TX; Newport Harbor Art
Museum, Newport Beach, CA; The Contemporary Museum, Honolulu, HI
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A Simple Story (Juarez), Wexner Center for the Visual Arts, Columbus, OH
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Gallery Paule Anglim, San Francisco, CA
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Moody Gallery, Houston, TX
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1991
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Terry Allen: New Work, L. A. Louver Gallery, Venice, CA
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The Artist's Eye: Terry Allen, Kimbell Art Museum, Fort Worth, TX
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1989
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Big Witness (living in wishes), San Francisco Art Institute, San Francisco, CA
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Them Ol' Love Songs, Cranbrook Art Museum, Bloomfield Hills, MI
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Moody Gallery, Houston, TX
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John Weber Gallery, New York, NY
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Installation and Concert, Laumiere Sculpture Park, St. Louis, MO
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1988
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Big Witness (living in wishes), L. A. Louver Gallery, Venice, CA; Santa Barbara
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Contemporary Arts Forum, CA; Moore College of Art, Philadelphia, PA;
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Madison Arts Center, Madison, WI; University of Arizona Museum of Art, Tucson, AZ;
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Gallery Paule Anglim, San Francisco, CA
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John Weber, New York, NY
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Terry Allen: Youth in Asia, Pittsburgh Center for the Arts, Pittsburgh, PA
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1986
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Revelations, Southwest Craft Center, San Antonio, TX
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OHIO, Wright State University, Dayton, OH
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John Weber Gallery, New York, NY;
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Gallery Paule Anglim, San Francisco, CA
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China Night, Florida State University Fine Arts Gallery, Tallahassee, FL
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1985
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Moody Gallery, Houston, TX
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China Night, Fresno Art Center, Fresno, CA
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Visual and Aural Mythologies, Alberta College of Art Gallery, Calgary, Alberta
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1984
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Sprawl/Prowl/Growl, Espace Lyonnais d'Art Contemporain (ELAC), Lyon, France
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Barbara Gladstone Gallery, New York, NY
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1983
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Rooms and Stories, La Jolla Museum of Contemporary Art, La Jolla, CA
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Mandeville Gallery, University of California, San Diego, CA
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Morgan Art Gallery, Kansas City, MO
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1982
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Yellowstone Art Center, Billings, MT
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1981
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Portland Center for the Visual Arts, Portland, OR
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Ring, Nelson Gallery/Atkins Museum, Kansas City, MO
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1980
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Baxter Art Gallery, California Institute of Technology, Pasadena, CA
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1979
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Lubbock Lights Gallery, Lubbock, TX
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Morgan Art Gallery, Kansas City, KS
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1978
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Hansen Fuller Gallery, San Francisco, CA
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Nancy Lurie Gallery, Chicago, IL
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Landfall Press Gallery, Chicago, IL
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1976
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Claire S. Copley Gallery, Los Angeles, CA
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Morgan Art Gallery, Kansas City, KS
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1975
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Juarez Series, Contemporary Arts Museum, Houston, TX
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1974
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Michael Walls Gallery, New York, NY
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1973
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Michael Walls Gallery, Los Angeles, CA
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1971
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Mizuno Gallery, Los Angeles, CA
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Museum of Contemporary Art, Chicago, IL
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1970
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Michael Walls Gallery, San Francisco, CA
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1968
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Michael Walls Gallery, San Francisco, CA
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Pasadena Art Museum, Pasadena, CA
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1966
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Gallery 66, Los Angeles, CA
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SELECTED GROUP EXHIBITIONS
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2005
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Inaugural Exhibition, Holly Johnson Gallery, Dallas, TX
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2001
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Chouinard: A Living Legacy (Chouinard Alumni Exhibition), Oceanside, Museum of Art,
Oceanside, CA
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Radical Past: Contemporary Art & Music in Pasadena 1960-1974, Armory Center for
the
Arts, Pasadena, CA
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|
Art and Wine: Benzinger imagery series, Palo Alto Art Center, Palo Alto, VA
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|
200 Years of Folly: Legacy of Goya's Caprichos, Muskegon Museum of Art, Muskegon,
MI
(exhibition will travel)
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|
1999
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New To Houston: Recent Additions to Houston Collections, The Museum of Arts, Houston,
TX
|
|
1998
|
Prints from the Collection of David Durham on loan from the Center for Contemporary
Arts in Abilene, Texas, Stephen F. Austin State University Department of Art - Griffith
Gallery, Nacogdoches, TX
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1997
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Household Goods, Texas Gallery, Houston, TX
|
|
Scene of the Crime, UCLA at the Armand Hammer Museum of Art and Cultural Center, Los
Angeles, CA
|
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Art Foundry Editions, Santa Fe at Knoedler, New York, Knoedler & Company, New
York,
NY
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Fresh Ink: Austin Print Workshops, Austin Museum of Art, Downtown, Austin, TX
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1996
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The Bird Show, West End Gallery, Houston, TX
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Convergence, Barbara Davis Gallery, Pennzoil Place, Houston, TX
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American Kaleidoscope, The National Museum of American Art, Washington, DC
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1995
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Temporarily Possessed, The New Museum, New York
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Confronting Nature: Silenced Voices, Cal State Fullerton, Fullerton, CA (exhibition
will
travel)
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The Art Show, Ochi Gallery, Sun Valley, ID
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It's Only Rock n' Roll, Phoenix Art Museum, Phoenix, AZ (exhibition to travel)
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The Prints of Cirrus Edition, L. A. County Museum, Los Angeles, CA
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1994
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Mapping, UTSA Art Gallery, University of Texas, San Antonio, TX (will travel)
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|
Insite 94, Bi-National Exhibition, San Diego, CA/Tijuana, Mexico
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1993
|
La Frontera-The Border, Museum of Contemporary Art, San Diego, CA; tour: Centrok
Cultural, Tijuana, Mexico; Tacoma Art Museum, Tacoma, WA; Scottsdale Center for the
Arts, Scottsdale, AZ; Neuberger Museum, State University of New York, Purchase, NY;
San Jose Museum of Art, San Jose, CA
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1992
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Printmaking in Texas: The 1980's, Laguna Gloria Museum, Austin, TX
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Profiles II: On Paper, Adair Margo Gallery, El Paso, TX, traveling to Weber State
University, Ogden, UT; and Arlington Museum, Arlington, TX
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Centenary Print Exhibition, Modern Art Museum of Fort Worth, Fort Worth, TX
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1991
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Positions in the Desert, Gallery Paule Anglim, San Francisco, CA
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The Political Arm, John Weber Gallery, New York, NY and Washington University, St.
Louis, MO
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Text Context, San Jose Institute of Contemporary Art, San Jose, CA
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Critical Reactions, Rena Bransten Gallery, San Francisco, CA
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|
Poets' Walk, Citicorp Plaza, Los Angeles, CA
|
|
Drawings by Sculptors, Sena Gallery, Santa Fe, NM
|
|
Singular Visions, Museum of Fine Arts, Museum of New Mexico, Santa Fe, NM
|
|
Responsive Witness, The Palo Alto Cultural Center, Palo Alto, CA
|
|
On the Road Selections from the Permanent Collections of the San Diego
|
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Museum of Contemporary Art, traveling to Duke University Museum of Art, Durham, NC;
J.
B. Speed Art Museum, Louisville, KY; Springfield Museum of Fine Arts, MA; Memorial Art
Gallery of the University of Rochester, NY; Utah Museum of Fine Arts, University of Utah,
Salt Lake City, UT; The Philbrook Museum of Art, Tulsa, OK
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Drawings: An Exhibition of Artists of the John Weber Gallery, John Weber Gallery,
New
York, NY
|
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1990
|
CCA12, The Center for Contemporary Arts of Santa Fe Second Annual Invitational, Santa
Fe, NM
|
|
Contemporary Assemblage: Dada and the Surrealist Legacy, L. A. Louver Gallery, Venice,
CA
|
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Politics in Print, Landfall Press, Chicago, IL, and New York, NY
|
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Northwest x Southwest—Painted Fiction, Palm Springs Desert Museum, CA; Yellowstone
Art Center, MT; Bellingham Museum, WA; University of Houston, TX
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1989
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Heroics Recast, School of the Museum of Fine Arts, Boston, MA
|
|
Forty Years of California Assemblage, Wright Art Gallery, University of California,
Los
Angeles, CA
|
|
10 + 5 From California, Thomas Center, Gainsville, FL
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A Different War, Whatcom Museum of History and Art, Belingham, WA, traveling to De
Cordova Museum and Sculpture Park, Lincol, MA; Northwestern University, Evanston, IL;
Akron Art Museum, OH; Madison Art Center, Madison, WI; Wright Art Gallery, UCLA, Los
Angeles, CA; CU Art Galleries, University of Colorado, Boulder, CO; and Washington
State University Museum of Art, Pullman, WA
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Humor in Prints, University of Arizona Museum of Art, Tucson, AZ
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1988
|
Lost and Found in California: Four Decades of Assemblage Art, James Corcoran Gallery,
Pence Gallery, Shoshona Wayne Gallery, Santa Monica, CA; G. Ray Hawkins Gallery, Los
Angeles, CA
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Out of Time, Cuesta College Art Gallery, San Luis Obispo, CA
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1987
|
Documents 8, Kassel, West Germany
|
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Avant Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles, CA
|
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War & Memory, Washington Project for the Arts, Washington, D. C.
|
|
1986
|
The Allen/Ely Project, Southwest Craft Center, San Antonio, TX
|
|
Lead, Hirschl and Adler Modern, New York, NY
|
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The Texas Landscape, 1900-1986, Museum of Fine Arts, Houston, TX
|
|
Honky Tonk Visions (On West Texas Music: 1936-86), Texas Tech University, Lubbock
and others
|
|
Text and Image, Holly Soloman Gallery, New York, NY
|
|
Boston Collects: Contemporary Painting & Sculpture, Museum of Fine Arts, Boston,
MA
|
|
Sculptors' Drawings, University Art Gallery, Sonoma State University, CA, and Prichard
Art
Gallery, Moscow, ID
|
|
1985
|
Sao Paulo Biennial, Sao Paulo, Brazil
|
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1984
|
Content & Contemporary Focus 1974-84, Hirshhorn Museum, Washington, DC
|
|
American & European, L. A. Louver Gallery, Venice, CA
|
|
Return of the Narrative, Palm Springs Desert Museum, Palm Springs, CA
|
|
Face to Face/Back to Back, California State University, Fullerton, CA
|
|
Strike Restrike: The Revitalized Print, Western Michigan University, MI
|
|
Contemporary Works on Paper, University Art Museum, Lafayette, LA
|
|
California Drawings, Modernism, San Francisco, CA
|
|
50 Artists/50 States, Fuller Goldeen Gallery, San Francisco, CA
|
|
35 Artists, Morgan Gallery, Kansas City, MO
|
|
Rockefeller Retrospective, Wake Forest University, Winston-Salem, NC
|
|
Vietnam: The War and its Aftermath, Chapman College, Guggenheim Gallery, Organized
by Richard Turner, Orange, CA
|
|
Stars, Fuller Goldeen Gallery, San Francisco, CA
|
|
1983
|
Site Strategies, The Oakland Museum, CA
|
|
Language Drama Source & Vision, The New Museum, New York, NY
|
|
Perspectives of Landscape, Fuller Goldeen Gallery, San Francisco, CA
|
|
Jim Morgan Memorial Exhibition, Kansas City Art Institute, Kansas City, MO
|
|
Winterworks, Oklahoma Art Center, Oklahoma City, OK
|
|
Allen, Henderson, Wegman, Wiley, Sun Valley Center Gallery, Ketchum, ID
|
|
Anderson Ranch Faculty Exhibit '83, Cohen Gallery, Denver, CO
|
|
California Current Part II, L. A. Louver Gallery, Venice, CA
|
|
American European Painting and Sculpture Part I, L. A. Louver, Venice, CA
|
|
Opening Exhibition/New Space, Morgan Art Gallery, Kansas City, MO
|
|
Public Comments, Center on Contemporary Arts, (COCA) Seattle, WA
|
|
1982
|
Sydney Biennale, Art Gallery of New South Wales, Australia
|
|
Awards in Visual Arts, National Gallery, Washington, D. C., traveling to: Des Moines
Art
Center, Des Moines, IA; and Denver Art Museum Denver, CO
|
|
Museum of Modern Art, Paris, France
|
|
Exchange Between Artists, 1931-82, Poland-USA, Museum of Modern Art, Paris, France
|
|
New American Graphics 2, Madison Art Center, Madison Art Center, Madison, WI;
traveled extensively throughout USA
|
|
Artist Photographs, Vision #5, Crown Point Gallery, Oakland, CA
|
|
Forgotten Dimension, A Survey of Small Sculpture in California Now, Fresno
|
|
Arts Center, Fresno, CA (exhibition traveled throughout United States for two years)
In
Our Time, 1948-1982 Survey Exhibition, Contemporary Arts Museum, Houston, TX
|
|
The Destroyed Print, Pratt Manhattan Center, Pratt Institute, New York, NY
|
|
1981
|
Works from Landfall Press, Malinda Wyatt Gallery, Venice, CA
|
|
Beauty and the Board Room, University of Missouri-Kansas City Gallery of Art
|
|
Words as Images, sponsored by the Renaissance Society at University of Chicago and
White Walls magazine, Bergman Gallery, University of Nebraska, Omaha, NE
|
|
Letters from Artists, Kemper Gallery, Kansas City Art Institute, Kansas City, MO
|
|
Humor in Art, organized by Michael Kurchfeld, Las Angeles Institute of Contemporary
Art,
Los Angeles, CA
|
|
The Southern Voice (Terry Allen, Vernon Fisher, Ed McGowin), Fort Worth Art Museum,
Ft.
Worth, TX
|
|
Group Exhibition, Delahunty Gallery, Dallas, TX
|
|
Soundings, Neuberger Museum, State University of New York, Purchase, NY
|
|
Post Modernist Metaphors, Alternative Museum, New York, NY
|
|
Not Just For Laughs, The New Museum, New York, NY
|
|
1980
|
Terry Allen & Charles Gaines, Phoebe Conally Gallery, California State University,
Fresno,
CA
|
|
Cartography, John Michael Kohler Arts Center, Sheboygan, WI
|
|
1979
|
7 x 9 Exhibition, organized by Ellen Lanyon, N.A.M.E. Gallery, Chicago, IL
|
|
Image and Object in Contemporary Sculpture, Detroit Institute of Arts, Detroit, MI
(exhibitition traveled to P. S. 1, New York, NY)
|
|
Words and Images, Philadelphia College of Art, Philadelphia, PA
|
|
1978
|
Aesthetics of Graffiti, San Francisco Museum of Modern Art, San Francisco, CA
|
|
Group Exhitition/Prints, Droll-Kolbert Gallery, New York, NY
|
|
Narrative, David Heath Gallery, Atlanta, GA
|
|
1977
|
Whitney Biennial, Whitney Museum, New York, NY
|
|
10th Biennale de Paris, Paris, France
|
|
New Acquisitions Exhibition (Prints), Museum of Modern Art, New York, NY
|
|
American Narrative: Story of Art 1967-77, Contemporary Arts Museum, Houston, TX,
(traveled to the University of California Art Museum, Berkeley; Santa Barbara Art
Museum, CA)
|
|
The Record As Artwork, Fort Worth Art Museum, TX (traveled throughout U.S. and
Canada)
|
|
Prints, Books, Photographs, Emily H. Davis Art Gallery, University of Akron, OH
|
|
The Modern Era: Bay Area Update, Huntsville Museum of Art, Huntsville, AL, (Organized
by Braunstein/Quay Gallery, San Francisco, CA)
|
|
Summer Exhibition, Hansen-Fuller Gallery, San Francisco, CA
|
|
1977
|
San Francisco Art Institute Annual, Fort Mason, San Francisco, CA
|
|
Watercolors & Related Media by Contemporary Californians, Baxter Art Gallery,
California
Institute of Technology, Pasadena, CA
|
|
Texas Artists, American Cultural Center, Paris, France
|
|
Personal Information, Nancy Lurie Gallery, Chicago, IL
|
|
Major New Works, Nancy Hoffman Gallery, New York, NY
|
|
Landfall Press, A Survey of Prints (1970-77), Museum of Contemporary Art, Chicago,
IL
|
|
California Artists, organized by Henry Hopkins, The Hague, Holland
|
|
Americans in the Biennale, Hudson River Museum, New York, NY
|
|
1976
|
The Great American Rodeo Show, Fort Worth Art Museum, Ft. Worth, TX, (exhibition
traveled to various cities throughout United States in conjunction with their rodeos)
|
|
Painting and Sculpture in California: The Modern Era, San Francisco Museum of Modern
Art, San Francisco, CA (exhibition traveled to National Collection of Fine Arts, Smithsonian
Institution, Washington, D. C.)
|
|
30 Years of American Printmaking, The Brooklyn Museum, Brooklyn, NY (including 20th
National Print Exhibition)
|
|
1975
|
Eight from California, National Collection of Fine Arts, Smithsonian Institution,
Washington, D. C.
|
|
The Small Scale in Contemporary Art, Chicago Art Institute, Chicago, IL
|
|
Visual/Verbal, University of California, Santa Barbara, CA
|
|
1974
|
Word Works, Mt. San Antonio College, Walnut Creek, CA
|
|
Drawings, Nancy Hoffman Gallery, New York, NY
|
|
Drawings, Lowe Art Museum, University of Miami, Coral Gables, FL (organized and
expanded with separate catalogue by Nancy Hoffman; also traveled to Center for the
Visual Arts, Illinois State University, Normal, IL)
|
|
Lithographs from Landfall Press, Center for the Visual Arts, Illinois State University,
Normal, I
|
|
Selections from Cirrus Editions, Los Angeles County Museum of Art, Los Angeles, CA
|
|
Opening Exhibition, Gallerie Doyle, Paris, France
|
|
December Drawing Show, Claire S. Copley Gallery, Inc., Los Angeles, CA
|
|
1973
|
Biennial Exhibition, Whitney Museum of American Art, New York, NY
|
|
Extraordinary Realities, Whitney Museum of American Art, New York, NY
|
|
Opening Exhibition, John Doyle Gallery, Chicago, IL
|
|
Drawings, Cusack Gallery, Houston, TX
|
|
Texas Drawings, Smither Gallery, Dallas, TX
|
|
1972
|
Surrealism is Alive & Well in the West, California Institute of Technology (Baxter
Art
Gallery), Pasadena, CA
|
|
The State of California Painting, organized by Michael Walls, sponsored by the Queen
Elizabeth Arts Council to tour New Zealand and Australia
|
|
14 Los Angeles Painters, University of California, Santa Barbara, CA
|
|
1971
|
Continuing Surrealism, La Jolla Museum of Art, La Jolla CA
|
|
National Invitational Drawing Exhibit, Southern Illinois University, Carbondale, IL
(Purchase Prize)
|
|
Boxed Top Art Show, Illinois State University, Normal, IL
|
|
Made in California, Grunwald Graphic Arts Foundation, UCLA, Los Angeles, CA
|
|
The 73rd Western Annual, Denver Art Museum, Denver, CO
|
|
1970
|
1970 National Drawing Exhibition, San Francisco Museum of Art, CA
|
|
A Decade of Accomplishment: American Drawings and Prints of the 1960's, Illinois Bell,
Chicago, IL
|
|
The Sixties, Where It Was, Quay Gallery, San Francisco, CA
|
|
Drawing 88, Winn Galleries, Austin, TX
|
|
Still Life Today, American Federation of Arts (exhibition circulated throughout United
States, beginning September 1970)
|
|
Looking West 1970, Joslyn Art Museum, Omaha, NE
|
|
South Texas Street Funk, St. Edwards University, Austin, TX
|
|
1969
|
The Spirit of the Comics, Institute of Contemporary Art, University of Pennsylvania,
Philadelphia, PA (exhibition was circulated by American Federation of Arts throughout the
United State, February 1970-May 1971)
|
|
1968
|
1968 Drawing Invitational, San Francisco Art Institute, San Francisco, CA
|
|
All-City Show, Barnsdall Park, Los Angeles, CA (Purchase Prize)
|
|
1967
|
Small Images, California State College, Los Angeles, CA
|
|
1966
|
3-Man Show Gallery 66, Los Angeles, CA
|
|
1999
|
Voices in the Wilderness, Courthouse Galleries, Arts Center of the Portsmouth Museum,
Portsmouth, VA
|
|
1994
|
Poison Amor (with James Drake), Blue Star Art Space, San Antonio, TX
|
|
1992
|
A Simple Story (Juarez), four installations, Melodyland, The Perfect Ship, Stations,
Vacancy; Wexner Center for the Arts, Columbus, OH
|
|
Humanature, Oliver Ranch, Geiserville, CA
|
|
1989
|
Big Witness (Living in Wishes), San Francisco Art Institute, San Francisco, CA
|
|
1988
|
Big Witness (Living in Wishes), Santa Barbara Contemporary Art Forum, CA
|
|
Treatment (angel with dirty tracks)
|
|
1987
|
Washington Project for the Arts
|
|
1986
|
Ohio, University Art Gallery, Wright State University, Dayton, OH
|
|
Revelation, Southwest Craft Center, San Antonio, TX
|
|
1985
|
China Night, Fresno Arts Center and Museum, Fresno, CA; University Fine Arts Gallery,
Tallahassee, FL
|
|
Blue Dear, Fresno Metropolitan Museum, Fresno, CA
|
|
Stations: Secreto Engel, Sao Paulo Biennial, Sao Paulo, Brazil
|
|
1983
|
Youth in Asia, Center on Contemporary Art, Seattle, WA; Espace Lyonnais d'Art
Contemporain, Lyon, France
|
|
Anterabbit/Bleeder, La Jolla Museum of Contemporary Art, CA; Alexandria Museum, LA
|
|
1982
|
Billingsgate (A Motel), Yellowstone Art Center, Billings, MT; La Jolla Museum of
Contemporary Art, La Jolla, CA
|
|
1981
|
Ornithopera (The Devil's Condo), Fort Worth Art Museum, Fort Worth, TX; La Jolla
Museum of Contemporary Art, La Jolla, CA; Espace Lyonnais d'Art Contemporain, Lyon,
France
|
|
1976
|
Ring, Partial exhibition history: Claire S. Copley Gallery, Los Angeles, CA; Whitney
Museum of American Art, New York, NY; American Cultural Center, Paris, France; Nelson
Gallery, Atkins Museum, Kansas City, MO; Museum of Modern Art, Paris, France The
Paradise, Fort Worth Art Museum, Fort Worth, TX
|
|
2001
|
The Book (secret), Morton/Donnelly Trust, Los Angeles, CA
|
|
1999
|
Liquid Assets, Sterling Software, Dallas, TX
|
|
Countree Music, George Bush Intercontinental Airport, Houston, TX
|
|
Stubb (Bar-B-Que Beyond The Grave), Lubbock, TX
|
|
Belief, Vontz Center for Molecular Studies, University of Cincinnati, Cincinnati,
OH
|
|
1998
|
Ruby Room, Red Jacket, Dallas, TX
|
|
Symphony Lounge, Laumeier Sculpture Park, St. Louis, MO
|
|
U-Me-Um, Laumeier Sculpture Park, St. Louis, MO
|
|
1996
|
Liquid Assets, L.A. Louver Gallery, Venice, CA
|
|
Red Jacket, Nightclub, Dallas, TX
|
|
1995
|
Golden Time, Sony Pictures Entertainment, Culver City, CA
|
|
Modern Communication, New Communication Plaza, Kansas City, MO
|
|
1994
|
Notre Denver (gargoyles), New Denver International Airport, Denver, CO
|
|
1993
|
Shaking Man, Yerba Buena Center, San Francisco, CA
|
|
1992
|
Humanature, Oliver Ranch, Geiserville, CA
|
|
1991
|
Corporate Head, Poet's Walk, Citicorp Plaza, Los Angeles, CA
|
|
1986
|
Trees, Stuart Collection, University of California San Diego, La Jolla, CA
|
|
|
|
COLLECTIONS
|
|
|
Museum of Fine Arts, Houston, TX
|
|
AT&T Collection, Chicago, IL
|
|
Museum of Modern Art, New York, NY
|
|
Detroit Institute of Arts, Detroit, MI
|
|
University Art Museum, Berkeley, CA
|
|
Nelson Gallery/Atkins Museum, Kansas City, MO
|
|
San Diego Museum of Contemporary Art, La Jolla, CA
|
|
The Stuart Collection, La Jolla, CA
|
|
Los Angeles County Museum Of Art, Los Angeles, CA
|
|
Metropolitan Museum of Art, New York, NY
|
|
Espace Lyonnais d'Art Contemporain, Musee Saint Pierre, Lyon, France
|
|
San Francisco Museum of Modern Art, San Francisco, CA
|
|
Dallas Museum of Art, Dallas, TX
|
|
Atlantic Richfield Company, Los Angeles, CA
|
|
Chase Manhattan Bank, New York, NY
|
|
Cleveland Museum of Art, Cleveland, OH
|
|
Yellowstone Art Center, Billings, MT
|
|
Frito-Lay, Inc., Dallas, TX
|
|
Museum of Contemporary Art, Los Angeles, CA
|
|
Newport Harbor Art Museum, Newport Beach, CA
|
|
Addison Gallery of American Art, Andover, MA
|
|
Southwestern Bell, St. Louis, MO
|
|
Stanford University Museum of Art, Palo Alto, CA
|
|
Tyler Museum of Art Tyler, TX
|
|
Oakland Museum of Art, Oakland, CA
|
|
Seventh Street Plaza Associates, Los Angeles, CA
|
|
City of San Francisco, CA
|
|
City of Denver, CO
|
|
City of Kansas City, MO
|
|
Sony Pictures Entertainment, Culver City, CA
|
|
Laumeier Sculpture Park, St. Louis, MO
|
|
City of Houston, TX
|
|
State of Ohio
|
|
City of Lubbock, TX
|
|
San Antonio Museum of Fine Art, San Antonio, TX
|
|
Palm Springs Desert Museum, Palm Springs, CA
|
|
Morton/Donnelly Trust
|
|
|
|
SELECTED CATALOGUES AND BOOKS
|
|
|
EXIT, Image and Culture, CRIMES AND MISDEMEANORS, Olivaris & Assoc., Salamanca,
Spain
|
|
LANDMARKS, Sculpture Commissions for the Stuart Collection, essays by Robert Storr,
Mary Beebe & Jim
Stuart DeSilva, interviewed by Joan Simon, Rizzoli, NYC, NY
|
|
L. A. Exile, A Guide to Los Angeles Writing 1932-1998, edited by Paul Vangelisti with
Evan Calbi, Marsilio
Publishers, New York, 1999
|
|
23rd International Biennial of Graphic Art, Mirjam Behek, International Center for
Graphic Arts, Minister of
Culture, Republic of Slovinia, 1999
|
|
Blurring the Boundaries (Installation Art 1969-1996), Museum of Contemporary Art,
San Diego, CA, 1997
|
|
BUDDHA BOOK (A Meeting of Images), Frank Olinnsky, Chronicle Books, 1997
|
|
Scene of the Crime, Ralph Rugoff, MIT Press, 1997
|
|
Sunshine Noir (Art in L.A. 1960-1970), Lars Nittve & Helle Crenzien, Louisiana
Museum of Modern Art,
Humlebaek, Denmark, 1997
|
|
American Kaleidoscope, Themes and Perspectives in Recent Art. By Jacquelyn Days Serwer,
National
Museum of American Art, Smithsonian Institute, Washington, D.C., 1996
|
|
Terry Allen. By Nancy Reddin Keinholz & Patricia Covo Johnson, The Faith and Charity
in Hope Gallery,
Hope, ID, 1996
|
|
Landfall Press: Twenty-Five Years of Printmaking. By Joseph Ruzicka, Milwaukee Art
Museum, Milwaukee,
WI, 1996
|
|
Contemporary Art in Texas. By Patricia Covo Johnson & Walter Hopps, Craftsman
House, 1995
|
|
Made in L.A.: The Prints of Cirrus Editions. By Bruce Davis, Los Angeles County Museum
of Art, Los
Angeles, CA, 1995
|
|
It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art. By David S. Rubin,
Prestil-Verlag,
Munich-New York, 1995
|
|
Insite 94. By Lynda Forsha, Bi-National Catalogue, San Diego, CA/Tijuana, Mexico,
1995
|
|
TRAVESIA The Border Issue, Journal of Latin American Cultural Studies. Edited by Tim
Girven & John
Kraniauskas, REUNION: A RETURN TO JUAREZ, A Radioplay by Terry Allen, 1994
|
|
Youth in Asia. By Craig Adcock, Dave Hickey & Roxy Gordon. Touring show organized
by Southeastern
Center for Contemporary Art, Winston-Salem, NC, 1993
|
|
LA FRONTERA/THE BORDER. By Patricio Chavez & Madeline Grynsztejn, Museum of Contemporary
Art,
Centro Cultural de la Raza, San Diego, CA, 1993
|
|
A Simple Story (Juarez), Terry Allen. By Dave Hickey & Sarah Rogers. Wexner Center
for the Arts,
Columbus, OH, 1992
|
|
PROOF: Los Angeles Art and the Photograph 1960-1980. By Charles Desmarias, Laguna
Art Museum,
Laguna Beach, CA, 1992
|
|
Northwest by Southwest. By Katherine Plake Hough et al. Palm Springs Desert Museum,
1990
|
|
A Different War: Vietnam in Art. By Lucy R. Lippard. Whatcom Museum of Art and Real
Comet Press, 1990
|
|
San Diego Museum of Contemporary Art: Selections from the Permanent Collection. By
Hugh Davies &
Ronald J. Onorato, La Jolla, CA, 1990
|
|
Heroics Recast. School of the Museum of Fine Arts, Boston, 1989
|
|
Memory Track. The Walter Phillips Gallery, Banff, Alberta, Canada, 1989
|
|
Forty Years of California Assemblage. By Henry Hopkins, Wight Art Gallery, University
of California Los
Angeles, Los Angeles, CA, 1989
|
|
Avant-Garde in the Eighties. By Howard N. Fox, Los Angeles County Museum of Art, Los
Angeles, CA,
1987
|
|
KaChina Night. By Craig Adcock. Fine Arts Gallery, Florida State University, Tallahassee,
FL, 1986
|
|
Sprawl/Prowl/Growl: A Geographic Survey of Works by Terry Allen. By Thierry Raspail,
Fernand Braudel,
Marcia Tucker, Christine Breton & Patrick Vialle. Ville de Lyon, Saint Pierre Art Contemporain,
Lyon,
France, 1984
|
|
Contemporary Works on Paper. University Art Museum, Fletcher Hall, Lafayette, LA,
1984
|
|
Strike Restrike: The Revitalized Print. Gallery II, Western Michigan University, 1984
|
|
New American Graphics 2. Madison Art Center, Madison WI, 1982
|
|
Not Just for Laughs: The Art of Subversion. By Marcia Tucker, The New Museum, New
York, NY, 1981
|
|
Landfall Press 1970-1980. Landfall Press, Chicago, IL, 1981
|
|
Terry Allen (part of and some in betweens). By Michael Smith. Baxter Art Gallery,
California Institute of
Technology, Pasadena Art Alliance, CA, 1981
|
|
The Southern Voice: Terry Allen, Vernon Fisher, Ed McGowin. By Susan Freudenheim,
Marge Goldwater &
Dave Hicker. Fort Worth Art Museum, Fort Worth, TX, 1981 Image & Object in Contemporary Sculpture.
By
Jay Belloli. Detroit Institute of Arts, Detroit, MI, 1979
|
|
The Great American Rodeo. By Jay Belloli& Richard Koshalek. Fort Worth Art Museum,
Texas Christian
University Press, 1976
|
|
American Narrative/Story Art 1976-77. By Paul Schimmel, Alan Sondheim & Marcia
Tucker. Contemporary
Art Museum, Houston, 1976
|
|
Juarez Series: Terry Allen. By Paul Schimmel, Michael Walls & Dave Hickey. Contemporary
Art Museum,
Houston, TX, 1975
|
|
|
|
THEATER, MUSIC PERFORMANCE RECORDINGS
|
|
|
2001
|
Concert for Cliff & Joanna, Terry Allen & The Panhandle Mystery Band, H. C.
Westerman
Exhibition, Museum of Contemporary Art, Chicago, IL
|
|
1998
|
The Baby Dance, Music Soundtrack for movie directed by Jane Anderson, Showtime
Network "Austin City Limits," PBS Television
|
|
1994
|
Chippy, (Written by Terry Allen and Jo Harvey Allen), (with Jo Harvey Allen, Joe Ely,
Butch
Hancock, Jo Carol Pierce, Barry Tubb, Robert Earl Keen, Wayne Hancock), American Music
Theater Festival (AMTF), Play and Players Theatre, Philadelphia, PA and Lincoln Center
Productions' "Serious Fun!" Festival, New York, NY
|
|
1993
|
Amarillo Highway (and other roads), (with Butch Hancock, Michael Ventura, Jesse Taylor,
Charlene Hancock), Lubbock or Leave It, Austin, TX; Jazz Club, Santa Cruz, CA; St.
Anne's Cathedral, Brooklyn, NY; Paramount Theater, Austin, TX
|
|
Chippy (Diaries of a West Texas Hooker), Cross Currents work-in-progress, American
Music Theater Festival, Play and Players Theater, Philadelphia, PA
|
|
1991
|
Pioneer, (Collaboration with Paul Dresher Company), (Written by Terry Allen, Jo Harvey
Allen, Rende Eckert), (Directed by Robert Woodruff), UCLA Center for the Performing Arts,
Los Angeles, CA, traveling to Zellerbach Hall, UC-Berkeley and Theater Artaud, San
Francisco, CA, and Wexner Center for the Visual Arts, Columbus, OH
|
|
1990
|
Juarez: A Work in Progress (with Jo Harvey Allen and the Panhandle Mystery Band),
Brattle Theater, Cambridge, MA
|
|
Pioneer (Paul Dresher Ensemble), (with Jo Harvey Allen, Rende Eckert and John
Duykers), (Directed by Robert Woodruff), Spoleto Festival, Garden Theatre, Charleston,
SC
|
|
1989
|
In Concert: Terry Allen, Cranbrook Art Museum, Bloonfield Hills, MI
|
|
The Event: Terry Allen and Jo Harvey Allen, Des Moines Art Center, Des Moines, IA
|
|
Terry Allen: Concert, Laumeier Sculpture Park, St. Louis, MO
|
|
1988
|
Rollback (Collaboration with Margaret Jenkins Dance Company and Bruce Nauman) Kimo
Theater, City of Albuquerque, New Mexico
|
|
Out of Time (Collaboration with Mike Henderson and William T. Wiley), Cuesta College
Art
Gallery, San Luis Obispo, CA
|
|
1987
|
Leon & Lena (and Lenz) (Directed by Joanne Akalaitis), Music by Terry Allen),
Guthrie
Theater, Walker Art Center, Minneapolic, MN
|
|
War & Memory (Concert & Music Panel Discussion), (with Joe Ely, Jimmie Dale
Gilmore and
Butch Hancock), Washington Project for the Arts, Washington, D.C.
|
|
1985
|
Do You Know What Your Children Are Tonight? (with Bukka, Bale & Jo Harvey Allen),
Washington Project for the Arts, Washington, D.C.; Theater Artaud, San Francisco, CA
|
|
Pedal Steal (Collaboration with Margaret Jenkins Dance Company), (Sets and Music by
Terry Allen), Brooklyn Academy of Music, NY; Theater Artaud, San Francisco, CA
|
|
1984
|
Face to Face/Back to Back, performance with Jo Harvey Allen, Visual Arts Center,
California State University, Fullerton, CA
|
|
Lorna, a video by Lynn Hershman, produced by Electronic Arts Archives, Texas Tech
University, Music by Terry Allen
|
|
The Embrace…Advanced to Fury, Espace Lyonnais d'Art Contemporain (ELAC), Lyon,
France (video screening reading)
|
|
1983
|
Anterabbit/Bleeder (a biography), theater piece in conjunction with "Rooms and
Stories:
Recent work by Terry Allen," Sherwood Auditorium,La Jolla Museum of Contemporary Art,
La Jolla, CA
|
|
Hally Lou, music for play by Jo Harvey Allen, performed at The Aspen Art Center, Aspen,
CO; The New Japanese-American Theatre (in conjunction with "Explorations"), co-
sponsored by California Institute of the Arts and The New Museum of Contemporary Art,
Los Angeles, CA (Songs: "Oh Hally Lou", "Bloodlines" and part of "Gimme a Ride
to
Heaven Boy")
|
|
1982
|
Counter Angel, music for play by Jo Harvey Allen, performed at Malinda Wyatt Gallery,
Venice, CA; The New Museum, New York, NY; Allen Street Gallery, Dallas, TX…and under
title "Tables and Angels" at The Chicken Burger Café, Anchorage, AK and Chat N' Chew
Café in San Francisco, CA (Song: "The Beautiful Waitress") POP-UP Productions
|
|
Bissie at the Baths, music for play by Joan Hotchkis, performed at The New Museum,
New
York, NY. (Song: "Oh What a Dangerous Life") POP-UP Productions
|
|
The Embrace…Advanced to Fury, Video presentation, Hallwalls, Buffalo, NY
|
|
1981
|
The Embrace, video installation and environment, Portland Center for the Visual Arts,
Portland, OR
|
|
Performance Symposium, performed with John Hadley, Tim Ryan and Dick Dunlap in
Dunlap's "Rubber Band" piece. Wrote and performed with John Hadley "Evil Lava" song
for Joe Ferrell Hobbs "Disaster Piece." Also played "Lubbock Tornado" in piece with
John
Hadley and performed solo. Fly-by-Night Club (Mr. White Keys) in Spenard, Alaska,
sponsored by Visual Arts Center of Alaska, Anchorage, AK
|
|
The Embrace…Advanced to Fury, performed at Drexel Hall, October 16 and 17 in
Conjunction with RING exhigition at Nelson Gallery/Atkins Museum, Kansas City, MO
|
|
The Embrace, video installation environment (Part II, RING), Nelson Gallery/Atkins
Museum, Kansas City, MO
|
|
1980
|
The Embrace…Advanced to Fury, video screening, University Museum, Berkeley, CA
|
|
The Embrace, video installation environment, Phoebe Connaly Gallery, Fresno State
University, CA
|
|
The Embrace…Advanced to Fury, video screening "San Francisco Video Review,"
Video
Free America, San Francisco, CA
|
|
The Embrace, video installation and environment, Boise Gallery of Art, ID
|
|
The Embrace, video installation environment, "Terry Allen (part of and some in
betweens)" exhibition, Baxter Art Gallery, California Institute of Technology, Pasadena,
CA
|
|
1979
|
Money and Love, Three dances choreographed by Joanne Kelly to Terry Allen songs My
Amigo, Blue Asian Reds, and Lubbock Women, Hotel St. Francis, San Francisco, CA
|
|
The Embrace, video installation environment, Image & Object exhibition at Detroit
Museum of Arts, Detroit, MI. (Piece shown in another form at P.S.I. in Conjunction with
same exhibition, New York, NY
|
|
1978
|
The Embrace…Advanced to Fury, (with Jo Harvey Allen), a theatre occurrences performed
at Spinoza Arena/Theatre, Houston, TX, in conjunction with American Narrative - Story
Art 1967-77 exhibition at Contemporary Art Museum, Houston, TX. (The Embrace… is the
second section of a four section piece titled - RING)* The Embrace…Advanced to Fury
(see above), performed at University Art Museum, Berkeley, CA
|
|
1974
|
American Sadness, mixed-media presentation on men and women, 101 Theatre, Fresno,
CA. (Also performed at School of Creative Studies, University of California, Santa
Barbara, CA)
|
|
Cocaine Cowboy, title music, costume design and voice characterization for a play
by
George Lewis, 101 Theatre, Fresno, CA
|
|
1972
|
L.A. Backwards is Al, mixed-media biographic presentation on the work of Allen
Ruppersberg, 101 Theatre, Fresno, CA
|
|
1970
|
The Levels (performance for Robert Irwin), one performance only, University of California,
Berkeley, CA
|
|
1968
|
Dialogues in Drag…A Satire, one act play performed one night only, Lucille Street
Theatre, Los Angeles, CA
|
|
The Twentieth Century Pronto, Arrived, one act play performed one night only, Lucille
Street Theatre, Los Angeles, CA
|
|
1993
|
Dugout, New American Radio, NPR. Text and Music by Terry Allen; performed by Terry
Allen, Jo Harvey Allen and Katie Koontz; Green Shoes Publishing Company; Produced and
Directed by Terry Allen
|
|
1992
|
Reunion (a return to Juarez), New American Radio, NPR. Text and Music by Terry Allen;
performed by Jo Harvey Allen and Panhandle Mystery Band; Produced And Directed by
Terry Allen
|
|
1990
|
Bleeder, New American Radio, NPR. Text and Music by Terry Allen; performed by Terry
Allen and Jo Harvey Allen and Panhandle Mystery Band; produced by Terry Allen, c Green
Shoes Publishing Company
|
|
1986
|
Torso Hell, co-produced by High Performance and Jacki Apple for "Soundings,"
KPFK
Pacifica, Los Angeles, written and directed by Terry Allen; performed by Terry Allen, Jacki
Apple and Panhandle Mystery Band; picked up by New American Radio, NPR (1987); c
Green Shoes Publishing Company
|
|
1968
|
The New Jesse James Yearbook, series of stories written to be read over traditional
American music (three programs, produced and aired), KPPC FM, Pasadena, CA
|
|
The Magic Theatre, program of poetry and new music, produced by KPPC FM, Pasadena,
CA
|
|
Rawhide & Roses, weekly country & western music program, KPPC FM, Pasadena,
CA
(with Jo Harvey Allen)
|
|
1994
|
Lightning, element in installation Frontera, Poision Amor exhibition, Blue Star Art
Space,
San Antonio, TX; shot and edited by Gay Dillingham
|
|
1993
|
Eclipse, element from Chippy, directed and shot by Terry Allen
|
|
1992
|
A Simple Story (Juarez): Terry Allen, documentary on exhibition, produced by Wexner
Center of the Arts, directed by Melodie Calvert, (with interviews by and conversations
with Dave Hickey), Columbus, OH
|
|
Rocky's, element for installation Melodyland/Green Shoes, element for installation
The
Perfect Ship/Bridge and Road, elements for installation Stations (all elements in exhibit A
Simple Story (Juarez), Wexner Center for the Arts, Columbus, OH) directed and edited by
Terry Allen, shot by Gay Dillingham
|
|
1983
|
Billings TV, 8 hours of recorded tapes from channel 8, Billings, Montana (element
in
Billingsgate (A Motel), part of Rooms and Stories: Recent Work by Terry Allen, La Jolla
Museum of Contemporary Art, La Jolla, CA
|
|
Rooms and Stories: Recent work by Terry Allen, documentary video on exhibition at
La
Jolla Museum of Contemporary Art, produced by museum and directed by Kevin Morrisey
(includes interviews by and conversatiosn with writer Dave Hickey), La Jolla, CA
|
|
1981
|
La Rondo de la Condo, 17-minute color with Richard Dunlap as The Devil (element in
installation ORNITHOPERA (The Devil's Condo)), made for exhibition The Southern Voice,
Fort Worth Art Museum, Ft. Worth, TX
|
|
1978
|
The Embrace…Advanced to Fury, 70-minute color second section of RING), edited
by Skip
Sweeney and Terry Allen at VFA, San Francisco; partially financed by NEA, University Art
Museum, Berkeley, Detroit Museum of Arts, Hansen-Fuller Gallery
|
|
1976
|
Snuff Queen, 15-minute color. Element in MOTEL section of THE PARADISE, environment
piece made for The Great American Rodeo Show, Fort Worth Art Museum, Fort Worth, TX
|
|
|
|
BOOKS AND CATALOGUES BY TERRY ALLEN
|
|
|
1994
|
Poison Amor, (col. with James Drake), published by Blue Star Art Space, San Antonio,
TX
(essay by Rosetta Brooks)
|
|
1992
|
A Simple Story (Juarez), catalogue design, published by Wexner Center for the Arts,
Columbus, OH (essays by Dave Hickey and Sarah Rogers)
|
|
1989
|
Big Witness (living in wishes), catalogue design, published in conjunction with Adeline
Kent Award exhibition (essay by Dave Hickey)
|
|
1986
|
Terry Allen's "Ohio", theater piece and exhibition, University Art Galleries,
Wright State
University, Dayton, OH (essay by Dave Hickey)
|
|
1985
|
China Night, text, with acknowledgment by Katherine Funk and Allys Palladino-Craig,
Fine Arts Gallery, Florida State University, Tallahassee, Florida, 1985 (essay by Roxy
Gordon)
|
|
1984
|
Sprawl/Prowl/Growl, catalogue concept for Sprawl/Prowl/Growl exhibition at l'elac,
Lyon,
France (essays by Marcia Tucker)
|
|
1983
|
Rooms and Stories, catalogue design, with essays by Linda Forsha, Robert McDonald
and Dave Hickey, for La Jolla Museum of Contemporary Art, La Jolla, CA
|
|
1979
|
Ring, catalogue design, compilation of notes, studies and writings from four-section
piece
RING (portions have been published as catalogue for exhibition of RING, 1981 at Nelson
Museum, Kansas City, MO)
|
|
1975
|
Juarez, compilation of notes, studies and writings from the JUAREZ SERIES (one original
and 14 Xerox copies with 10 accompanying tapes). Juarez Catalogue for Exhibition,
Contemporary Art Museum, Houston, TX (essays by Paul Schimmel, Michael Walls, and
Dave Hickey)
|
|
1974
|
Z-Rocks, single collaborative Xerox novel-piece with George Lewis
|
|
1968
|
Untitled Object Novel (not published)
|
|
Heaven and Earth, photo/object novel (not published)
|
|
|
|
WRITTEN WORKS, THEATER, FILM SCRIPTS, ETC.
|
|
|
1995
|
Dugout, Music Video Theater Installation, Arlington, TX
|
|
1994
|
Chippy (co-written with Jo Harvey Allen), music theater piece, American Music Theater
Festival (AMTF), Philadelphia, PA and "Serious Fun Series", New York Lincoln Center
|
|
1993
|
Chippy: Diaries of a West Texas Hooker, (co-written with Jo Harvey Allen), music theater
piece, work-in-progress presented at American Music Theater Festival (AMTF),
Philadelphia, PA
|
|
1992
|
Juarez, (co-written with David Byrne), (music by Terry Allen), theater piece
|
|
A Simple Story (Juarez), exhibition and catalogue text, Wexner Center for the Arts,
Columbus, OH
|
|
1990
|
Pioneer, (co-written with Jo Harvey Allen/Rende Eckert), music theater piece
|
|
1985
|
China Night, text for book with acknowledgment by Katherine Funk, Fresno Art Center
and Allys Palladino-Craig, Fine Arts Gallery, Florida State University, Tallahassee, FL
|
|
1980
|
Anterabbit/Bleeder, treatment for screenplay (film and/or video)
|
|
1979
|
Ring, compilation of notes, studies and writings from four-section piece, portions
published as catalogues for exhibition of Ring, 1981, Nelson Museum, Kansas City, MO
|
|
1979
|
Venice, Texas, film project with Joan Tewkesbury (not pictured)
|
|
1978
|
Juarez, treatment for screenplay (film and/or video)
|
|
Pale Duro, treatment for screenplay (film and/or video)
|
|
The Embrace…Advanced to Fury, text and screenplay (video)
|
|
1974
|
Rocks, single collaborative Xerox novel-piece with George Lewis
|
|
1975
|
Juarez, compilation of notes, studies and writing from the Juarez Series
|
|
1968
|
The New Jesse James Yearbook, series of stories written to be read over traditional
American music; three programs produced and aired, KPFC FM, Pasadena, CA
|
|
1968
|
Snakes in the Pie, commissioned by Harold Nebenzal for screenplay (not produced)
|
|
Heaven and Earth, photo/object novel (unpublished)
|
|
Object Novel, untitled (unpublished)
|
|
1967
|
Red Bird, screenplay for animated film (not produced)
|
|
2001
|
From Hell to Breakfast, A taste of Sugar Hill's Texas
|
|
Singer-Songwriters, Compilation of various artists, Sugar Hill Records
|
|
Concert for a Landmine Free World, Various Artists Compilation CD, Vanguard Records
|
|
1999
|
Salivation, CD, Sugar Hill Records
|
|
1998
|
Viva Americana, compilation CD, Viva Americana, London, England
|
|
"Ourland," Terry Allen Live at the Empire Music Hall, Belfast, Northern
Ireland
|
|
1997
|
Smokin' the Dummy/Bloodlines, CD re-issue, Sugar Hill Records
|
|
1996
|
Human Remains, CD, Sugar Hill Records
|
|
1995
|
Lubbock (on everything), CD re-issue, Sugar Hill Records
|
|
1994
|
Songs From Chippy, produced by Terry Allen and Joe Ely, various artists (Terry Allen,
Jo
Harvey Allen, Joe Ely, Butch Hancock, Wayne Hancock, Robert Earl Keen, Jo Carol Pierce),
Hollywood Records
|
|
1993
|
I Blame God, sung by Terry Allen, produced by Terry Allen and Lloyd Maines, for Across
the Great Divide (songs by Jo Carol Pierce), CD, various artists, Dejadisc, BMI (benefit for
Austin Rape Crisis Center, Austin, TX)
|
|
Pedal Steal/Rollback, single CD, two soundtracks for dance (executive producer Margaret
Jenkins Dance Co., San Francisco, CA)
|
|
Pedal Steal…all text, music, and lyrics by Terry Allen (except "Sentimental
Journey" by
Green, Brown and Homer, ASCAP; "Give Me the Flowers," public domain and MacDonald's
commercial) Performed by Terry Allen and The Panhandle Mystery Band, produced by
Terry Allen, Lloyd Mains and Don Caldwell, recorded at Caldwell Studios, Lubbock, TX,
1986, Green Shoes Publishing Co., BMI
|
|
Rollback…all music and lyrics by Terry Allen (except "Home on the Range,"
public domain),
performed by Terry Allen and the Panhandle Mystery Band, produced by Terry Allen,
Lloyd Maines and Richard Bowden, recorded at Caldwell Studios, Lubbock, TX, 1988,
Green Shoes Pub. Co., BMI
|
|
Bleeder, single track on three-track compilation CD, various artists
|
|
Radius #1, executive producer New American Radio & Performing Arts, Inc. and Jo
Harvey
Allen, music by Terry Allen and The Panhandle Mystery Band, recorded at Caldwell
Studios, Lubbock, TX, 1990, Green Shoes Publishing Co., BMI, What Next Recordings
|
|
1992
|
The Silent Majority Terry Allen's Greatest Missed Hits, CD, compilation of out-takes,
mis-
takes, work tapes, added tos, taken froms, omissions and foreign materials—all music
and lyrics by Terry Allen (except "Home on the Range," public domain, and "Cocktail
Desperado," music by David Byrne, lyrics by Terry Allen, Index Music, ASCAP/Green Shoes
Publishing Co., BMI) Green Shoes Publishing Company, BMI, Fate Records
|
|
Lubbock (on everything), re-issued on CD, Special Delivery/Topic Records, London,
UK (all
original songs included except "High Horse Momma"), licensed by Fate Records
|
|
Juarez, re-issued on CD and cassette, Fate Records
|
|
Smokin' the Dummy, re-issued on CD, Fate Records
|
|
Bloodlines, re-issued on CD, Fate Records
|
|
Amerasia, re-issued on cassette, Fate Records
|
|
1988
|
Home on the Range, public domain, performed and arranged by Terry Allen, with The
Panhandle Mystery Band and Joe Ely, single track on Tellus, The Audio Cassette
|
|
Magazine #21, Audio by Visual Artists, various artists, Harvestworks, Inc., executive
producer Claudia Gould
|
|
1987
|
Amerasia (film soundtrack) 33 1/3 LP album and cassette, Fate Records, Inc., recorded
by The Panhandle Mystery Band, Lubbock, TX, and Surachal Jantimorn and Caravan,
Bangkok, Thailand; music and lyrics by Terry Allen; Green Shoes Pub. Co., BMI
|
|
1986
|
The Beautiful Waitress, written and performed solo live by Terry Allen, Green Shoes
Pub.
Co., BMI, single track on 1986 Kerrville Folk Festival, cassette, various artists, executive
producer Rod Kennedy, Crowe Memorial Fund-Kerrville Music Foundation
|
|
Cocktail Desperado; single co-written with David Byrne; soundtrack The Sounds From
True Stories, Warner Bros. Records
|
|
1984
|
Bloodlines, 33 1/3 LP album, Fate Records, Inc., recorded at Caldwell Studios, Lubbock,
Texas, produced by Lloyd Maines and Terry Allen, executive producers Jack and Ethel
Lemon, all music and lyrics by Terry Allen, Green Shoes Pub. Co., BMI
|
|
1983
|
The Arizona Spiritual, single track included in High Performance: The Record, issue
#23,
Artists doing Songs, produced and performed by Lloyd Maines and Terry Allen, music and
lyrics by Terry Allen, Green Shoes Pub. Co., BMI (courtesy Fate Records, Inc.)
|
|
1980
|
Smokin' the Dummy, 33 1/3 LP album/Fate Records, Inc., Green Shoes Publishing,
recorded at Caldwell Studios, Lubbock, TX, with Panhandle Mystery Band, produced by
Lloyd Maines and Terry Allen, executive producers Jack and Ethel Lemon, all music and
lyrics by Terry Allen, except "Maybeline" by Chuck Berry; songs on single below are
included in this album, BMI
|
|
1979
|
Cajun Roll and Whatever Happened to Jesus (and Maybeline)?, 45 RPM single, Fate
Records, Inc., Chicago, IL, Green Shoes Publishing Co., recorded at Caldwell Studios,
Lubbock, TX, Panhandle Mystery Band, produced by Lloyd Maines and Terry Allen (except
"Maybeline" by Chuck Berry, Arc Music), BMI
|
|
1978
|
Lubbock (on everything), 33 1/3 double-record LP album, Fate Records, Inc., Chicago,
IL,
Green Shoes Publishing Co., recorded at Caldwell Studios, Lubbock, TX, produced by
Everyone on This Record, executive producers Jack and Ethel Lemon, all music and lyrics
by Terry Allen, BMI
|
|
1975
|
Juarez, 33 1/3 LP album, distributed by Landfall Press, Inc. recorded at Wally Heider
Studios, San Francisco, CA, produced by Jamie Howell & Terry Allen, all music and lyrics
by Terry Allen BMI (originally included in Juarez Suite with six lithographs, edition of
50…3000 additional records pressed; Juarez re-released in 1980 by Fate Records, Inc.,
Chicago, IL)
|
|
1968
|
Gonna California & Color Book, 45 RPM single, Bale Creek Records, Bukka Cain
Publishing, recorded at Wally Heider Studios, Los Angeles, CA, produced by David
Nelson, George Tipton & Terry Allen; music and lyrics by Terry Allen, BMI
|
|
1978-79
|
Professor, California State University, Fresno, CA. Resigned position.
|
|
1974-77
|
Associate Professor, California State University, Fresno, CA
|
|
1971-72
|
Guest lecturer, California State University, Fresno, CA
|
|
1971
|
Guest artist at University of California, Berkeley
|
|
1968-69
|
Drawing classes at Chouinard Art Institute, Los Angeles, CA, and Pasadena Art Museum,
Pasadena, CA
|
|
1966-67
|
Third grade, 93rd Street School, Watts, CA (U.S. Poverty Program)
|
|
|
|
VISITING ARTISTS (Invitational slide/tape/lecture presentations)
|
|
|
2002
|
Cornish College for the Arts, Seattle, WA
|
|
Anderson Ranch, Aspen, CO
|
|
2001
|
University of Georgia, Athens, GA
|
|
University of Memphis, Memphis TN
|
|
Ohio State University, Athens, OH
|
|
Anderson Ranch, Aspen, CO
|
|
1999
|
University of Houston, Houston, TX
|
|
Old Dominion University, Norfolk, VA
|
|
Yellowstone Art Museum, Billings, MT
|
|
1998
|
University of Montana, Missoula, MT
|
|
University of California, Santa Barbara, CA
|
|
Modern Art Museum of Fort Worth, Fort Worth, TX
|
|
Loyola University, New Orleans, LA
|
|
Utah State University, Logan, UT
|
|
Texas Tech University, Lubbock, TX
|
|
1997
|
Visiting Arts Alliance, Cincinnati, OH
|
|
California State University Summer Arts, Long Beach State (with Jo Harvey & Dave
Hickey), Long Beach, CA
|
|
1995
|
University of Texas, Arlington, TX (two week residency to develop installation "Dugout")
|
|
University of North Carolina, Chapel Hill, NC
|
|
University of Missouri, Kansas City, MO
|
|
Hallmark Corp., Kansas City, MO
|
|
Seattle Arts Commission, Seattle, WA
|
|
Cornish Arts Institute, Seattle, WA
|
|
University of Wisconsin, Parkside, WI
|
|
University of Wisconsin, Milwaukee, WI
|
|
1994
|
University of North Carolina, Chapel Hill, NC
|
|
Claremont Graduate School, Claremont, CA
|
|
University of California, San Diego, La Jolla, CA
|
|
Southeastern Oregon University, Ashland, OR
|
|
1993
|
University of Hawaii, Honolulu, HI
|
|
Fort Worth Art Museum, Fort Worth, TX
|
|
Newport Harbor Art Museum, Newport Beach, CA
|
|
Bemis Foundation, Omaha, NE
|
|
Sacramento State University, Sacramento, CA
|
|
1992
|
University of Notre Dame, South Bend, IN
|
|
Ball State University, Muncie, IN
|
|
University of Texas, Austin, TX
|
|
1984
|
Santa Ana College, Santa Ana, CA
|
|
Architectural Association, London, England
|
|
University of Texas, Arlington, Texas (judged 'Photo Flow' competition with Duane
Michaels)
|
|
1983
|
Oklahoma University (commissioned to do silkscreen), Norman, OK University of Arizona
in conjunction with Tucson Museum of Art, Tucson, AZ Sun Valley Center for the Arts and
Humanities, Sun Valley, ID
|
|
Anderson Ranch Art Center, Aspen, CO
|
|
Southern Rim Conference II, Birmingham Southern University, AL
|
|
1982
|
Institute of Modern Art, Brisbane, Australia
|
|
City College of Art, Sydney, Australia National Gallery of American Art (panel),
Washington, D.C.
|
|
NEA Panel, Sculpture, Washington, D.C.
|
|
Oklahoma Summer Arts Institute, Quartz Mountain, OK
|
|
Southwest Texas State College (judge for Works on Paper Exhibition and Presentation),
San Marcos, TX
|
|
1981
|
San Francisco Art Institute, Sculpture Dept., San Francisco, CA Wake Forest University,
Winston-Salem, NC
|
|
North Texas State University, Denton, TX
|
|
Portland Center for the Visual Arts, Portland, OR
|
|
Western Michigan University, Kalamazoo, MI (Print Dept.)
|
|
Golden West College, Huntington Beach, CA (Music & Art Depts.)
|
|
Yellowstone Art Center, Billings, MT (Research Centennial Project, 1982)
|
|
University of Colorado, Boulder, CO
|
|
1980
|
University of Houston, Houston, TX
|
|
University of Oklahoma, Norman, OK
|
|
Alaskan Art Center (sponsored by Alaskan Arts Council), Anchorage, Alaska Cranbrook,
Bloomfield Hills, MI
|
|
Montana State University, Missoula, MT
|
|
Montana State University, Bozeman, MT
|
|
Sacramento State University, Sacramento, CA
|
|
University of Santa Clara, Santa Clara, CA (Philosophy Dept.)
|
|
University of California, Santa Barbara, CA (School of Creative Studies)
|
|
Sun Valley Art Center, Sun Valley, ID
|
|
Banff Center for the Creative Arts, Banff, Alberta, Canada
|
|
Boise Gallery of Art, Boise, ID
|
|
University of Southwestern Louisiana, Lafayette, LA
|
|
1979
|
University of California, Irvine, CA
|
|
Miami-Dade Community College, South Campus, Miami, FL
|
|
Otis Art Institute, Los Angeles, CA
|
|
Kansas City Art Institute, Kansas City, MO
|
|
1978
|
Texas Tech University, Lubbock, TX
|
|
Golden West College, Huntington Beach, Ca
|
|
Florida State University, Tallahassee, FL
|
|
San Francisco Art Institute, San Francisco, CA, The Artist as Performer, Appalachian
State
University, Boone, NC
|
|
Chicago Art Institute (performance area), Chicago, IL
|
|
Eastern Washington University, Cheney, WA
|
|
University of Idaho, Moscow, ID
|
|
Washington State University, Pullman, WA
|
|
1977
|
Santa Barbara Museum of Art (sponsored by Contemporary Arts Forum), CA
|
|
1976
|
University of Florida, Gainesville, FL
|
|
Southern Rim Conference (invitational gathering of Southern artists) sponsored by
Appalachian State University, Boone, NC
|
|
Kansas City Art Institute, Kansas City, MO
|
|
University of Kansas, Lawrence, KS
|
|
Sonoma State University, Rohnert Park, CA
|
|
1975
|
University of California, Santa Barbara, CA (School of Creative Studies)
|
|
University of Texas, Arlington, TX
|
|
1974
|
University of Illinois, Circle Campus, Chicago, IL
|
|
University of Illinois, DeKalb, IL
|
|
University of California, Santa Barbara, CA (School of Creative Studies)
|
|
Texas Christian University, Fort Worth, TX
|
|
Contemporary Art Museum, Houston, TX
|
|
1973
|
University of Nevada, Reno, NV
|
|
Sacramento City College, Sacramento, CA
|
|
1972
|
Sacramento State University, Sacramento, CA
|
|
University of California, Davis, CA
|
|
California Institute of the Arts, Valencia, CA
|
|
University of Nevada, Las Vegas, NV
|
|
1971
|
University of California, Berkeley, CA
|
|
Texas Tech University, Lubbock, TX
|
|
Sacramento State University, Sacramento, CA
|
|
|
|
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|
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