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1985
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B.A. Princeton University
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2010
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Holly Johnson Gallery, Dallas
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Steven Zevitas Gallery, Boston
|
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2009
|
Museum Gegenstandsfreier Kunst, Otterndorf, Germany (catalogue)
|
|
Von Lintel Gallery, New York, New York
|
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2008
|
Grand Rapids Art Museum, Grand Rapids, Michigan
|
|
Some other streets in the Bronx, Fruehsorge Contemporary Drawings,
Berlin, Germany
|
|
Drawings from the Permanent Collection Figge Art Museum, Davenport,
Iowa
|
|
2007
|
Von Lintel Gallery, New York (catalogue)
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Gallery Joe, Philadelphia
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2006
|
Von Lintel Gallery, New York
|
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2005
|
Gallery Sora, Naha, Japan
|
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OSP Gallery, Boston
|
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Kemper Museum of Contemporary Art, Kansas City, Missouri (catalogue)
|
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Fruehsorge Gallery, Berlin
|
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2004
|
Von Lintel Gallery, New York
|
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2003
|
Gallery Sora, Naha, Japan
|
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2002
|
Von Lintel Gallery, New York
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2001
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Von Lintel & Nusser, New York
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2000
|
Lannan Foundation, Santa Fe, NM
|
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1999
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Galerie von Lintel & Nusser, Munich
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1998
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Thomas Healy Gallery, New York
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S65 Gallery, Aalst, Belgium
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1997
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Galerie Thomas von Lintel, Munich
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Berggruen and Zevi , London
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Studio Trisorio, Naples
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Lawing Gallery, Houston
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1996
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Morris-Healy Gallery, New York
|
|
1995
|
Gina Fiore Salon, New York
|
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1993
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Information Gallery, New York
|
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1989
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Paula Allen Gallery, New York
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|
2010
|
The Esprit of Gestures: Hans Hartung, Informel and Its Impact at
Kupferstchkabinett (Collection of Drawings & Prints), Berlin, Germany
|
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Back and Forth, Holly Johnson Gallery, Dallas
|
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Prints by Gallery Artists, Gallery Joe, Philadelphia
|
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2009
|
Leaded: The Materiality and Metamorphosis of Graphite, Yellowstone Art
Museum, Billings, Montana
|
|
New York/New Drawings, 1946 – 2007, Museo de Arte Contemporaneo
Esteban Vicente, Segovia, Spain (catalogue)
|
|
Curvilinear, Gallery Joe, Philadelphia
|
|
On, Of or About: 50 paper works, Texas State University Gallery, San
Marcos, Texas
|
|
2008
|
Drawings from the Permanent Collection, Figge Art Museum, Davenport,
Iowa
|
|
2008 Modern and Contemporary Art from the AMAM Collection, Allen
Memorial Art Museum, Oberlin College, Oberlin, Ohio
|
|
Delineation, Holly Johnson Gallery, Dallas, Texas
|
|
2007
|
Leaded: The Materiality and Metamorphosis of Graphite, Joel and Lila
Harnett Museum of Art, University of Richmond, Virginia. Traveling to
Bedford Gallery at the Dean Lesher Regional Center for the Arts, Walnut
Creek, CA; Western Gallery, Western Washington University, Bellingham,
WA; Baum Gallery of Fine Art, University of Central Arkansas, Conway, AR;
Memorial Art Gallery, University of Rochester, NY; Yellowstone Art Museum,
Billings, MT,
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|
New Prints 2007/Spring, International Print Center, New York
|
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Monotypes, Pace Prints, New York
|
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2006
|
Conversations, Ambrosino Gallery, Miami
|
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Action Precision, Lennon-Weinberg, New York
|
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On Line: Contemporary Drawing, Sonoma State University, California
|
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Exquisite Abstraction, Whitespace Gallery, Atlanta, Georgia
|
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Gridlock, Gallery Joe, Phildelphia, Pennsylvania
|
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2005
|
Patterns and Grids, Pace Prints, New York
|
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New Editions, Pace Prints, New York
|
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2004
|
Minimal Forms, Galerie Dionisi, West Hollywood, California
|
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Moving Outlines, Contemporary Museum, Baltimore
|
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Transit: Abstracting the System, City Gallery of Chastain, Atlanta
|
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2003
|
Recent Acquisitions: Works on Paper, The Metropolitan Museum of Art,
New York
|
|
No Chaser, Post, Los Angeles
|
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Paper, Hosfelt Gallery, San Francisco
|
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Graphite and Paper, Gallery Joe, Philadelphia
|
|
Comme ça, Houldsworth, London
|
|
2002
|
ZENROXY, curated by Ivan Vera, Von Lintel Gallery, New York
|
|
The Fall Line, curated by Steven Zevitas, OSP Gallery, Boston
|
|
Color, Sandroni/Rey, Venice, California
|
|
Zebedee Jones and Mark Sheinkman, Houldsworth Gallery, London
|
|
Eye in the Sky: Visions of Contemporary Art from the Ackland Collection,
Ackland Art Museum, Chapel Hill, North Carolina
|
|
2001
|
It’s a wild party and we are having a great time, Paul Morris Gallery, New
York
|
|
I Love NY Art Benefit, Von Lintel Gallery, New York
|
|
Hot, Von Lintel & Nusser, New York
|
|
Affinities, Anita Friedman Gallery, New York
|
|
Layered, Anita Friedman Gallery, New York
|
|
Concentrations IV: Drawings from the Collection of the Old Jail Art Center,
The Old Jail Art Center, Albany, Texas
|
|
2000
|
A Decade of Collecting: Recent Acquisitions of Prints and Drawings. 1940-
2000.
|
|
Fogg Art Museum, Harvard University, Cambridge, MA
|
|
Black and White, Anita Friedman Gallery, New York
|
|
1999
|
Die Kunst der Linie-Möglichkeiten des Graphischen, Landesgalerie
Oberösterreich, Linz, Austria
|
|
Mark Sheinkman, John Zinsser, Art Resources Transfer, New York
|
|
One by One: Painting versus Drawing, Galerie von Lintel & Nusser, Munich
|
|
Group Exhibition, Art Resources Transfer, New York
|
|
1998
|
Einblick, Galerie Thomas von Lintel, Munich
|
|
Identity Revealed: Meaning and Message in Contemporary Art, Ackland Art
Museum, Chapel Hill, North Carolina
|
|
Large-scale Drawings from the Collection of Wynn Kramarsky, The Aldrich
Museum of Contemporary Art, Ridgefield, CT
|
|
Skin Deep, 123 Watts Street Gallery, New York
|
|
Drawings, Graham Gallery, New York
|
|
Art on Paper, Weatherspoon Art Gallery, Greensboro, NC
|
|
1997
|
Four Americans, Figure Gallery, Turin
|
|
Sommer, Galerie Thomas von Lintel, Munich
|
|
Drawing is Another Kind of Language: Recent American Drawings from a
New York Private Collection, Fogg Art Museum, Harvard University,
Cambridge, MA. Traveled to Fonds Regional d’Art Contemporain, Museé de
Picardie, Amiens, France; Parrish Art Museum, East Hampton, NY; Lyman
Allyn Art Museum, New London, CT, Block Art Museum, Northwestern
University, Evanston, IL; Contemporary Art Museum, Honolulu;
Kunstmuseum, Winterthur; Kunst-Museum Ahlen, Ahlen, Germany;
Akademie der Künst, Berlin
|
|
Emerging, Radix Gallery, New York
|
|
Recurrence and the Work of Art, Gallery Korea, New York
|
|
Graphite on Paper, Galerie Thomas von Lintel, Munich
|
|
1996
|
An American Eye, Gallerie le Carré, Lille, France
|
|
Four Collectors, Century Club, New York
|
|
Size Matters, Special K Exhibitions, West Hollywood, California
|
|
On / In / Through, Morris-Healy Gallery, New York
|
|
On Paper II, Schmidt Contemporary Art, St. Louis
|
|
Works on Paper, Curt Marcus Gallery, New York
|
|
The Rational World, Kohn Turner Gallery, Los Angeles
|
|
Works On Paper, Baldwin Gallery, Aspen, Colorado
|
|
1995
|
Works on Paper, The Berkshire Museum, Pittsfield, Massachusetts
|
|
Fact, Artrax Gallery, New York
|
|
1994
|
The New York Collection, The Albright-Knox Museum, Buffalo, NY
|
|
modus operandi, Leonora Vega Gallery, New York
|
|
1993
|
Big Art, Billboard installation in downtown Atlanta, Georgia.
|
|
1992
|
More Than a Group Show, Art in General, New York
|
|
XXXIII Exhibition, The Parrish Art Museum, Southampton, New York
|
|
|
PUBLIC COLLECTIONS
|
|
|
Museum of Modern Art, New York
|
|
Whitney Museum of American Art, New York
|
|
Metropolitan Museum of Art, New York
|
|
National Gallery of Art, Washington, DC
|
|
Museum of Fine Arts, Houston
|
|
Cleveland Museum of Art, Cleveland, Ohio
|
|
Grand Rapids Art Museum, Grand Rapids, Michigan
|
|
Fogg Art Museum, Harvard University, Cambridge, Massachusetts
|
|
Yale University Art Gallery, New Haven, Connecticut
|
|
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
|
|
Weatherspoon Art Gallery, Greensboro, North Carolina
|
|
Ackland Art Museum, Chapel Hill, North Carolina
|
|
Davison Art Center, Wesleyan University, Middletown, Connecticut
|
|
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
|
|
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska
|
|
Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco
|
|
The Old Jail Art Center, Albany, Texas
|
|
Bibliothèque Nationale, Paris
|
|
Figge Art Museum, Davenport, Iowa
|
|
St. Louis University Museum of Art, St. Louis, Missouri
|
|
Museum Gegenstandsfreier Kunst, Otterndorf, Germany
|
|
|
SELECTED BIBLIOGRAPHY
|
|
|
Schick, Dr. Ulrike, “When Drawing Becomes Painting While Representing the Ephemeral”,
Museum Gegendstandfreier Kunst catalogue, 2009.
|
|
|
Isham, Michelle, “‘Leaded’ makes its mark”, Centre Daily Times,
September 18, 2009.
|
|
|
Finch, Elizabeth, “New York/New Drawings, 1946-2007,” Exhibition catalogue,
Museo
d’arte contemporaneo Esteban Vicente, 2009
|
|
|
Lafont, Isabel, “Una privilegiada ventana con vistas a las vanguardias,” El
Pais, January
28, 2009
|
|
|
Rafferty, Rebecca, “Making Marks,” City Newspaper, January 28, 2009
|
|
|
Bauer-Vonderwarft, Zacharias, “Bei Frühsorge: Mark Sheinkman hämmert
im Hirn,” Die
Welt, January 24, 2009
|
|
|
Reese, Dr. Elizabeth B., “Getting creative with the common,” Corpus Christi
Caller-Times,
December 4, 2008
|
|
|
Cash, Stephanie, “Mark Sheinkman at Von Lintel,” Art in America,
March 2008
|
|
|
Demuth, Gary, “More than just drawing,” Salina Journal, March 28,
2008
|
|
|
Kozlowski, Andy, “Leaded,” Art Papers, January/February 2008
|
|
|
Giovannini, Joseph, Bold Gesture in New York, Architectural Digest, April 2007 p.
178 ill.
|
|
|
Art at Progressive, Progressive (catalogue for art collection), 2007, illustrated
cover
|
|
|
Fallon, Roberta, Editor’s Pick: Mark Sheinkman: “Drawings” and Annabel
Daou: “A Book of
Hours”, Philadelphia Weekly Review, January 17, 2007
|
|
|
Newhall, Edith, Extending boundaries of drawing, Mark Sheinkman and Annabel Daou
exhibit at Gallery Joe, The Philadelphia Inquirer, January 12, 2007
|
|
|
Fox, Catherine, Exquisite Abstraction show at Whitespace is Smart and Satisfying,
The
Atlanta Journal-Constitution, December 31, 2006
|
|
|
Newhall, Edith, Gridlock minus Roadrage, The Philadelphia Inquirer, July 7, 2006
|
|
|
Grayson Trulove, James, 25 Houses Under 3000 Square Feet, illustrations on p. 141,143
|
|
|
Keller, Maximilian, Aus den Galerien- Galerie Fruehsorge, CONTACT _Con-4210C6BE1 \c
\s
\l Mark Sheinkman, Die Welt, May 23, 2005
|
|
|
Kaufman, Gina, On Your Mark, The Kemper gets physical, The Pitch, March 16, 2005
|
|
|
Edelman, Robert, CONTACT _Con-4210C6BE1 \c \s \l Mark Sheinkman: Between Gesture
and Void, Kemper Museum Catalog, January, 2005
|
|
|
Miller, Andrew, Line ‘Em Up, CONTACT _Con-4210C6BE1 \c \s \l Mark Sheinkman works
to
the point of abstraction, The Pitch, January 14, 2005
|
|
|
Thorson, Alice, “Sheinkman’s abstracts embrace both logic and enigma”,
Kansas City Star,
February 13, 2005
|
|
|
Sweet, Kimberly, Black & White”, The Kansas City Star, January 12, 2005
|
|
|
Cullum, Jerry, “Intriguing interjections in a century-long dialogue”, Atlanta
Journal-
Constitution, May 30, 2005
|
|
|
Renzi, Jen, “Blue Chip,” Interior Design, August 2003
|
|
|
Sherman, Mary, "Open Studio Press tries new `Line' of work," Boston Herald,
January 12,
2003
|
|
|
McQuaide, Cate, "Meticulous Meditations on the Abstract," The Boston Globe,
January 3,
2003
|
|
|
Johnson, Ken, "Art Guide, Zenroxy," The New York Times, December 20, 2002
|
|
|
Gonzales, Manuel and Forde, J.A., Unframed: Artists Respond to AIDS, 2002
|
|
|
Johnson, Ken, “Mark Sheinkman,” The New York Times, March 23, 2001
|
|
|
Landi, Ann, "Drawing Is Another Kind of Language," Artnews, December 1999
|
|
|
Sheets, Hillarie, "The Syntax of Drawing, From Old and New Alike," Newsday,
October 1,
1999
|
|
|
1998
|
|
|
Amy, Michael, " Mark Sheinkman at Thomas Healy", Art in America, December
1998
|
|
|
Glueck, Grace, "Art Guide, Mark Sheinkman," The New York Times, March 27,
1998
|
|
|
Turner, Grady T., "Up Now, Mark Sheinkman," Artnews, April 1998
|
|
|
Nahas, Dominique, "Mark Sheinkman," Review, March 15, Volume 3, Number 12.
1998
|
|
|
Zimmer, William, "Matters of Scale, and of Nostalgia Too," New York Times,
March 8, 1998
|
|
|
Glueck, Grace, "Large Scale Drawings from the Collection of Wynn Kramarsky,"
The New
York Times, April 24, 1998
|
|
|
Landi, Ann, "On the Edge, Mark Sheinkman, The Eraser," Art News, September
1997, p.
97.
|
|
|
Trione, Vincenzo, "Sheinkman, poetic obsession," Il Mattino, July 26, 1997
|
|
|
Landi, Ann, "Site Specifics," Art News, April 1997, p.118.
|
|
|
Paparoni, Demetrio, "Redefined Abstraction," Tema Celeste, Autumn 1997,
p. 61.
|
|
|
Athineos, Doris, "When Kramarsky Talks Collectors Listen: What kind of Art Does
the Man
Who Sold the World’s Most Expensive Painting Collect?" Forbes, November 18, 1997
|
|
|
Brennan, Michael, “Mark Sheinkman at Morris Healy” Artnet 1996.
|
|
|
Melrod, George, "Special Report: Contemporary Art-New York," Art & Antiques,
Summer
1996.
|
|
|
Schmerler, Sarah, " Mark Sheinkman," Time Out New York, June 26, 1996.
|
|
|
Shimony, Jonathan, "New York Art Scene II," art vision, Winter 1995.
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