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News: ESSAY: John Adelman Catalogue, February 15, 2013 - Jonathan A. Molina Garcia

ESSAY: John Adelman Catalogue

February 15, 2013 - Jonathan A. Molina Garcia

For most of his career, John Adelman has explored the material qualities of ink on paper, creating works of art that take on an incredible physical and visceral presence after successive layers of ink have been industriously applied. His compositions are strictly defined by a series of rules that the artist sets for himself. As others have noted, they follow – if a little peripherally - in the footsteps of minimalist and conceptual rule-based art that saw the likes of Sol LeWitt or Josef Albers, and a post-structural interest in art as text, rife with connotative value...

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News: REVIEW: Stuart Arends at Studio La Citta, February  6, 2013 - Diane Armitage

REVIEW: Stuart Arends at Studio La Citta

February 6, 2013 - Diane Armitage

Why would a contemporary artist with an international career live in the middle of nowhere, in Willard, New Mexico? The artist in question, Stuart Arends, as a joke, greets one of his visitors to Willard in Italian, saying that he hopes she will be entertained. Speaking Italian may seem odd in front of the Willard Cantina, but it’s not so strange when Arends is in Italy on one of his frequent trips there for an exhibition. Or perhaps the artist’s signature painted objects or his aluminum wedges are scheduled for a show in Germany or Switzerland. When he is back in the desert, though, Arends lives off the grid in a house he built. And there the artist is surrounded by the silence of his own 90 acres plus the thousands of others that don’t belong to him. That land comes with the aridity of a high and dry life with little rainfall and virtually no snowfall, and in the far distance are the Manzano Mountains off to the northwest with the occasional line of a freight train passing slowly on its way to or from West Texas; the train looks like a long, shiny snake moving slowly on the horizon…

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News: REVIEW: Tommy Fitzpatrick in ARTnews, February  1, 2013 - Ben Lima

REVIEW: Tommy Fitzpatrick in ARTnews

February 1, 2013 - Ben Lima

This exhibition of 13 acrylic paintings by Tommy Fitzpatrick, all from 2012, presented close up views...

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News: REVIEW: Tommy Fitzpatrick in Art in America, February  1, 2013 - Frances Colpitt

REVIEW: Tommy Fitzpatrick in Art in America

February 1, 2013 - Frances Colpitt

Tommy Fitzpatrick's exhibition "Electric Labyrinth" consisted of...

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News: REVIEW: Randy Twaddle in Art+Culture Magazine, January 18, 2013 - Gordy Grundy

REVIEW: Randy Twaddle in Art+Culture Magazine

January 18, 2013 - Gordy Grundy

Art has many purposes and distinctions...

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News: REVIEW: Randy Twaddle in Urban Art & Antiques, January 17, 2013 - Lin Wang

REVIEW: Randy Twaddle in Urban Art & Antiques

January 17, 2013 - Lin Wang

Not once, not twice, but too often have been told by my Dallasite friends...

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News: REVIEW: Casey Williams in ModernDallas.net, January 15, 2013 - Todd Camplin

REVIEW: Casey Williams in ModernDallas.net

January 15, 2013 - Todd Camplin

Casey Williams + Randy Twaddle in ModernDallas.net...

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News: PRESS RELEASE: Randy Twaddle - New Drawings, January 12, 2013

PRESS RELEASE: Randy Twaddle - New Drawings

January 12, 2013

Throughout his thirty year career Randy Twaddle has been interested in the physical structures associated with industry and technology...

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News: PRESS RELEASE: Casey Williams - Within, December  1, 2012

PRESS RELEASE: Casey Williams - Within

December 1, 2012

Holly Johnson Gallery is pleased to present "Within" a new body of work by Casey Williams...

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News: REVIEW: Liz Ward in Houston Press, November 14, 2012 - Meredith Deliso

REVIEW: Liz Ward in Houston Press

November 14, 2012 - Meredith Deliso

The Texas artist is captivated by the North and the histories captured in its ice cores, which provide the subject matter of her new watercolors and silverpoint drawings currently up at Moody Gallery. In light watercolors and silverpoint, Ward depicts the ice cores, which are like the rings in tree trunks, except they record climate conditions over thousands of years via accumulations of snow and ice...

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