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News: PRESS RELEASE: Todd Camplin Language Reconstruction, November 20, 2010

PRESS RELEASE: Todd Camplin Language Reconstruction

November 20, 2010

Todd Camplin has been working with abstracted text since 2003...

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News: ARTICLE: Michelle Mackey in New American Paintings, October 22, 2010 - Evan J. Garza

ARTICLE: Michelle Mackey in New American Paintings

October 22, 2010 - Evan J. Garza

Michelle Mackey was included in edition #60 of New American Paintings and was selected as a Noteworthy artist in edition #80. The Brooklyn-based artist has made some recent changes, not only to her paintings but some geographic changes as well... 

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News: ARTICLE: Mirror Stages - William Betts and the Reflective Surface, October  1, 2010 - Laura Lark

ARTICLE: Mirror Stages - William Betts and the Reflective Surface

October 1, 2010 - Laura Lark

We live in a society where image is everything...

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News: ESSAY: Eric Cruikshank at Dalcross Project Space, October  1, 2010 - Gina Wall

ESSAY: Eric Cruikshank at Dalcross Project Space

October 1, 2010 - Gina Wall

The work of Eric Cruikshank and Ian Kane demands quiet contemplation: the stillness of the pieces invites a reception which is responsive to their respective sensibilities. Their scale is modest, the colouration intense yet restrained: these works are silently beautiful. But how might such modest works hint at the sublime? One answer to this question is in their reading, the notion that the work is more than what it is; the work offers a space of encounter which, by its very nature, is a space of difference. This way to the sublime does not take its lead from traditional notions of what we might call the Romantic sublime, but from careful thought about how the reading of these works opens difference: in short their writerly possibilities...

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News: REVIEW: Todd Chilton in Chicago Critical, September  9, 2010 - Paul Germanos

REVIEW: Todd Chilton in Chicago Critical

September 9, 2010 - Paul Germanos

The best of Todd Chilton''s paintings produce a visual stimulation of such intensity that prolonged exposure is uncomfortable...

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News: PRESS RELEASE: David Aylsworth - That Thing That Makes Vines Prefer to Cling, May  8, 2010 - Holly Johnson Gallery

PRESS RELEASE: David Aylsworth - That Thing That Makes Vines Prefer to Cling

May 8, 2010 - Holly Johnson Gallery

David Aylsworth's latest paintings burst from the canvas in vivid colors and reference the lightheartedness of musical theater. For Aylsworth, the creation of a painting is equated to the direction of a theatrical performance.

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News: REVIEW: 'Coastlines' drifts at DMA, May  3, 2010 - Gaile Robinson

REVIEW: 'Coastlines' drifts at DMA

May 3, 2010 - Gaile Robinson

The Dallas Museum of Art is spending the sumnmer on Spring Break...

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News: REVIEW: "Silent Light," Joan Winter at Dubhe CarreÁ±o, March 25, 2010 - Robin Dluzen

REVIEW: "Silent Light," Joan Winter at Dubhe CarreÁ±o

March 25, 2010 - Robin Dluzen

Silent Light is a combination of cast objects and two dimensional print wors that Winter created concurrently...

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News: REVIEW: William Betts in Artlies Magazine , March  1, 2010 - Charissa Terranova

REVIEW: William Betts in Artlies Magazine

March 1, 2010 - Charissa Terranova

William Betts replicated "world picture" in his latest body of work, Surveillance.

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