REVIEW: Christopher French in ARTnews
June 1, 2007 - Janet Kutner
Wresting rhythm from rigor, Christopher French creates energetic paintings that play off the endless potential of color and geometric form...
Download Article (PDF)June 1, 2007 - Janet Kutner
Wresting rhythm from rigor, Christopher French creates energetic paintings that play off the endless potential of color and geometric form...
Download Article (PDF)May 11, 2007
In his second exhibition with the gallery, the artist continues to explore...
Download Article (PDF)February 16, 2007
Holly Johnson Gallery is pleased to present, Color Culture: Themes and Deviations, a survey of work by Christopher French...
Download Article (PDF)February 1, 2007 - Lilly Wei
The nine luminous new paintings in this show by David Row, a much respected New York-based abstract painter...
Download Article (PDF)January 20, 2007 - Charles Dee Mitchell
John Adelman is an artist who plays by the rules. Of course, they are rules he sets for himself with each new work, and so they do not seem too onerous. And although they consistently produce elegant and engaging drawings, some of them seem a little odd.
Read More >> Download Article (PDF)January 5, 2007 - Holly Johnson Gallery
Following traditions of rule-based art, the drawings of John Adelman contain a preordained conceptual methodology. Rules consisting of a single resource, a constant, and a variable provide a focused exploration of a singular mindset directing the work to its conclusion.
Read More >> Download Article (PDF)December 2, 2006 - Holly Johnson Gallery
Holly Johnson Gallery is pleased to annouce the opening of Breathing Space, an exhibition of new oil paintings by Janaki Lennie...
Download Article (PDF)December 1, 2006 - Matthew Bourbon
Houston artist Janaki Lennie's latest exhibition of suburban landscapes proves an engrossing portrayal of the sometimes copacetic, sometimes strained relationship between nature and human industry...
Download Article (PDF)November 1, 2006 - Mary Hrbacek
Minimalist artists explore the forefront of the art field by excluding the illusionistic, representational references found in traditional painting; Stuart Arends is no exception. He scrupulously avoids links to landscape, still life, portraiture or any definable, recognizable subject matter. He intends his relief paintings to be regarded as objects, reduced to a few geometric shapes and surface marks, devoid of any content. This artist constructs works that speak strictly to optical, perceptual issues...
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