REVIEW: Theresa Chong in Art in America 2004
May 1, 2004 - Edward Leffingwell
Surrenduring to the control of a steady hand, Theresa Chong's pencil glides in loops...
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REVIEW: Stuart Arends at Gallery Schlesinger
April 1, 2004 - David Cohen
Minimalism was so strenously and self-consciously iconoclastic, with its prim reductions, its insistently banal primary structures, and its chromophobia, that there is an almost equally iconoclastic pleasure to be had in work that takes up some aspect of this movement but recklessly adds whimsy or gaiety…
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REVIEW: Michelle Mackey in New York Art World Magazine
January 1, 2004 - Mary Hrbacek
Michelle Mackey's new abstract paintings show an ease and effluence that is uncommon in painting today...
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REVIEW: Jackie Tileston in ARTnews
December 1, 2003 - Catherine D. Anspon
Since her last Texas exhibition in 1998, Tileston has subtly changed her abstract paintings...
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ARTICLE: Antonio Murado in ArtForum Magazine
May 1, 2003 - Alexandre Melo
On first seeing Antonio Murado's recent landscape paintings, I asked myself, rather, "Where have I had this feeling before?"...
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REVIEW: Christopher French in ARTnews
May 1, 2003 - Catherine D. Anspon
Chistopher French, who exhibits internationally...
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REVIEW: Theresa Chong in the NY Times
October 12, 2001 - Ken Johnson
In Theresa Chong's ravishing paintings, you can see evidence of her conservatory-trained musicality...
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REVIEW: Margo Sawyer in Sculpture Magnazine
July 1, 2001 - Kate Bonansinga
Ephemerality of the moment, a conversation with Margo Sawyer...
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ARTICLE: Casey Williams in the Texas Observer
July 7, 2000 - Saundra Goldman
Escaping the Galleria - The Ship Photos of Casey Williams...
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REVIEW: Theresa Chong in Art in America 2000
April 1, 2000 - Jonathan Goodman
Music remains an inspiration-born, New York-based artist Theresa Chong, who studied the cello...
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