REVIEW: William Steiger in THE Magazine
November 30, 2008 - Lucia Simek
The work of artist William Steiger recalls the hyper clean-edged landscape and architectural painting of self-described Precisionist Charles Sheeler....
Download Article (PDF)November 30, 2008 - Lucia Simek
The work of artist William Steiger recalls the hyper clean-edged landscape and architectural painting of self-described Precisionist Charles Sheeler....
Download Article (PDF)November 22, 2008 - Holly Johnson Gallery
Holly Johnson Gallery in Dallas, Texas is pleased to announce the opening of Is it the real turtle soup?, an exhibition of new paintings by David Aylsworth. In this new body of work Aylsworth continues to reference the excitement and frivolity of musical theater.
Read More >> Download Article (PDF)November 2, 2008 - Kriston Capps
William Steiger shares more than a passing affinity with Chalres Sheeler. Both paintings embrace the engine, the train,...
Download Article (PDF)October 4, 2008 - Charles Dee Mitchell
The raw linen canvas that backs Jackie Tileston's new paintings at Holly Johnson Gallery has the soft brown color of aged silk...
Download Article (PDF)October 1, 2008
Holly Johnson Gallery is pleased to announce the opening of Destination, by the internationally acclaimed...
Read More >> Download Article (PDF)October 1, 2008 - David Taffet
Phenomorama, the current exhibit running through October 11 at the Holly Johnson Gallery, highlights Jackie Tileston's most recent mixed media paintings...
Download Article (PDF)October 1, 2008 - Julie Tereshchuk
There's a synchronicity to Margo awyer's life that has led this multifaceted artist from tragedy to joy...
Download Article (PDF)September 6, 2008
Holly Johnson Gallery in Dallas is pleased to present Phenomorama, an exhibition of recent work by Jackie Tileston...
Download Article (PDF)September 1, 2008 - John Devine
Christopher French's deceptively simple paintings provoke complex pleasures...
Download Article (PDF)August 29, 2008 - Douglas Britt
I missed last year's exhibit of early works by Houston abstract painters Richard Stout and Jack Boynton at William Reaves Fine Art, and I've been kicking myself ever since.
Studying that catalog, I thought Stout's best work ranked in the upper tier of what second-generation abstract expressionists put out in their often-overlooked heyday. Reproductions can be deceiving, but 1957, in particular, looked like a magical year...
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