News

Holly Johnson Gallery in Dallas is pleased to announce Gaps, Sinkholes, and other Chasms, an exhibition of new paintings by Gael Stack...

A dominant regional presence since the 1980s, James Drake, now living in Santa Fe, is admired in Europe and the US for his...

To call upon Mother Nature, whether by way of a hike through the woods or in a landscape photograph, is to intervene...

Holly Johnson Gallery is please to present Dornith Doherty: Altered Terrain, an exhibition of new Chromogenic color photographs...

Entitling his recent exhibition Enter the Dragon, Mike Osborne offers a series of photographs from the perspective of a foreigner on the outside looking in...

Take a walking tour of Dallas' finest galleries and discuss...

Holly Johnson Gallery is pleased to present Border of Desire, a selection of recent drawings and videos...

Building on "Interchanges'" his latest body of photographs focuses entirely on China...

Since 1980 Stuart Arends has been using a box as both a support and a surface. In 1985, he began working on a small cube that extended out from the wall. While he painted all six sides, the emphasis was on the three most visible. Initially, he worked on found wood, but subsequently he worked on sake boxes, whose sides were joined rather than nailed, and steel and aluminum boxes. Able to fit in the cupped palms of one’s hands, the boxes literally and visually stick out; they are at once elegant and awkward, which their scale makes all the more apparent because they do not cover the wall (think Donald Judd) but cling to it, inviting close scrutiny...

Selective viewing is essential to sanity...