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The work of Eric Cruikshank and Ian Kane demands quiet contemplation: the stillness of the pieces invites a reception which is responsive to their respective sensibilities. Their scale is modest, the colouration intense yet restrained: these works are silently beautiful. But how might such modest works hint at the sublime? One answer to this question is in their reading, the notion that the work is more than what it is; the work offers a space of encounter which, by its very nature, is a space of difference. This way to the sublime does not take its lead from traditional notions of what we might call the Romantic sublime, but from careful thought about how the reading of these works opens difference: in short their writerly possibilities...

The best of Todd Chilton''s paintings produce a visual stimulation of such intensity that prolonged exposure is uncomfortable...

David Aylsworth's latest paintings burst from the canvas in vivid colors and reference the lightheartedness of musical theater. For Aylsworth, the creation of a painting is equated to the direction of a theatrical performance.

The Dallas Museum of Art is spending the sumnmer on Spring Break...

Silent Light is a combination of cast objects and two dimensional print wors that Winter created concurrently...

William Betts replicated "world picture" in his latest body of work, Surveillance.

Virgil Grotfeldt created otherworldly landscapes recording flora and fauna as if from a dreamscape...

Holly Johnson Gallery in Dallas, Texas is pleased to announce the opening of Memories and Transformations, an exhibition of paintings and works on paper by Virgil Grotfeldt...

William Betts rethinks the acting of making a painting. His "making" is hands off...

Kim Cadmus Owens' paintings of dilapidated structures and neglected cityscapes have a...